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Imagine Tab

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Band- A Perfect Circle
Song- Imagine

Gtr I (B F# B E G# C#) - 'Piano'
Gtr II (B F# B E G# C#) - 'Piano 2'
Gtr III (B F# B E G# C#) - 'Strings'
Gtr IV (B F# B E G# C#) - 'Guitar'

   Intro
    Q=73
    Eb5           B/Eb
   4/4
    Gtr I
    Q  Q  Q  Q    Q  Q  Q  Q
||--------------|--------------||
||o-------------|-------------o||
||--------------|--------------||
||--1--1--1--1--|-1--1--1--1---||
||o-1--1--1--1--|-2--2--2--2--o||
||--1--1--1--1--|-1--1--1--1---||


   Verse
                 1.,2.,3.,4.,5.  6.
    Eb5           B/Eb
    Q  Q  Q  Q    Q  Q  Q  Q   6x W
||--------------|--------------||------|
||o-------------|-------------o||------|
||--------------|--------------||------|
||--1--1--1--1--|-1--1--1--1---||-1----|
||o-1--1--1--1--|-2--2--2--2--o||-2----|
||--1--1--1--1--|-1--1--1--1---||-1----|


    Eb5
    Gtr I
     Q       Q       Q   Q
||------------------------------|
||o-----------------------------|
||------------------------------|
||---1-------1-------1---1------|
||o--1-------1-------1---1------|
||---1-------1-------1---1------|
|
|   Gtr III
|    S  S E  S  S Q.     S  S E
||------------------------------|
||o-11-11---11-11-------11-11---|
||---8--8----8--8--------8--8---|
||------------------------------|
||o-----------------------------|
||------------------------------|


 1.,2.,3.                        4.
  B/Eb
   Q       Q       Q   Q       4x  Q       Q      Q  Q
|------------------------------||-----------------------||
|-----------------------------o||-----------------------||
|------------------------------||-----------------------||
|--1-------1-------1---1-------||--1-------1------1--1--||
|--2-------2-------2---2------o||--2-------2------2--2--||
|--1-------1-------1---1-------||--1-------1------1--1--||
|
|  S  S E  S  S Q.     S  S E  4x  S  S E  S  S E H
|------------------------------||-----------------------||
|-12-12---12-12-------12-12---o||-12-12---12-12---------||
|--8--8----8--8--------8--8----||--8--8----8--8---------||
|------------------------------||-----------------------||
|-----------------------------o||-----------------------||
|------------------------------||-----------------------||


 Pre-Chorus
  $
  $$
  Eb5               B/Eb    B5      Eb5               Ab5
   Q   Q   Q   Q     Q   Q  Q  Q     Q   Q   Q   Q    Q  Q  Q  Q
|-----------------|---------------|-----------------|-------------||
|-----------------|---------------|-----------------|-------------||
|-----------------|---------------|-----------------|-------------||
|-13--13--13--13--|-13--13--9--9--|-13--13--13--13--|-6--6--6--6--||
|-13--13--13--13--|-14--14--9--9--|-13--13--13--13--|-6--6--6--6--||
|-13--13--13--13--|-13--13--9--9--|-13--13--13--13--|-6--6--6--6--||


   Chorus
                     1.,2.,3.                    4.
                                              To Coda
                                              To Coda
    Ab5     B5        Eb5
    Q   Q   Q   Q      Q     Q     Q     Q     4x  W
||------------------|--------------------------||--------||
||o-----------------|-------------------------o||--------||
||------------------|--------------------------||--------||
||--6---6---9---9---|-13----13----13----13-----||-13-----||
||o-6---6---9---9---|-13----13----13----13----o||-13-----||
||--6---6---9---9---|-13----13----13----13-----||-13-----||
|
|   Gtr II
|   E E E E E E E E    E  E  E  E  E  E  E  E  4x  W
||------------------|--------------------------||--------||
||o-----------------|-------------------------o||--------||
||------------------|--------------------------||--------||
||------6-------9---|-------13-----------------||--------||
||o---6---6---9---9-|----13----13----13----13-o||--------||
||--6-------9-------|-13----------13----13-----||--------||


 Guitar Solo
  N.C.
  Gtr IV
   Q.    Q   Q   E    H     +E   S  S  E  T  T  S
|------------------|------------------------------|
|------------------|------------------------------|
|-------10---------|------------------------------|
|-----------13-----|------------------------------|
|-13------------13-|-14----(14)-14S16-14-13h14p13-|
|------------------|------------------------------|


   Q.    Q   Q   E    Q.    Q   E  E  E
|------------------|---------------------|
|------------------|---------------------|
|-------10---------|---------------------|
|-----------13-----|---------------------|
|-13------------13-|-14----11--11-14-11--|
|------------------|---------------------|


  Eb5                               B/Eb
   Q.             Q    Q        E    H                   +E   S  S  E  T  T  S
|---------------------------------|--------------------------------------------|
|---------------------------------|--------------------------------------------|
|----------------10---------------|--------------------------------------------|
|---------------------13----------|--------------------------------------------|
|-13---------------------------13-|-14------------------(14)-14S16-14-13h14p13-|
|---------------------------------|--------------------------------------------|
|
| Gtr III
|  S   S E  S  S  Q.      S  S  E    S  S  S  S  S  S E   H
|---------------------------------|--------------------------------------------|
|-11--11---11-11---------11-11----|-12-12-12-12-12-12--------------------------|
|--8---8----8--8----------8--8----|--8--8--8--8--8--8--------------------------|
|---------------------------------|--------------------------------------------|
|---------------------------------|--------------------------------------------|
|---------------------------------|--------------------------------------------|


                              D.S. al Coda
  Eb5
   H.                  S S  E   Q.   H    +E
|-----------------------------|-----------------||
|-----------------------------|-----------------||
|-----------------------------|-----------------||
|-----------------------------|-----------------||
|-13------------------13-9--8-|-9----8----(8)\--||
|-----------------------------|-----------------||
|
|  S   S E  S  S Q.    S E.     W
|-----------------------------|-----------------||
|-11--11---11-11------11------|-----------------||
|--8---8----8--8-------8------|-----------------||
|-----------------------------|-----------------||
|-----------------------------|-----------------||
|-----------------------------|-----------------||


 Verse
  &
                 Eb5
                 Gtr I
  Wx4             Q       Q       Q   Q
|------------||------------------------------|
|------------||o-----------------------------|
|------------||------------------------------|
|------------||---1-------1-------1---1------|
|------------||o--1-------1-------1---1------|
|------------||---1-------1-------1---1------|
|
|                Gtr III
| Wx4             S  S E  S  S Q.     S  S E
|------------||------------------------------|
|------------||o-11-11---11-11-------11-11---|
|------------||---8--8----8--8--------8--8---|
|------------||------------------------------|
|------------||o-----------------------------|
|------------||------------------------------|


 1.                              2.
                                    D.S.S. al Dbl. Coda
  B/Eb
   Q       Q       Q   Q           Q       Q      Q  Q
|------------------------------||-------------------------||
|-----------------------------o||-------------------------||
|------------------------------||-------------------------||
|--1-------1-------1---1-------||--1-------1------1--1----||
|--2-------2-------2---2------o||--2-------2------2--2----||
|--1-------1-------1---1-------||--1-------1------1--1----||
|
|  S  S E  S  S Q.     S  S E      S  S E  S  S E H
|------------------------------||-------------------------||
|-12-12---12-12-------12-12---o||-12-12---12-12-----------||
|--8--8----8--8--------8--8----||--8--8----8--8-----------||
|------------------------------||-------------------------||
|-----------------------------o||-------------------------||
|------------------------------||-------------------------||


 Outro Piano Solo
  &&
  N.C.
  Gtr II
  Q.    E  E  Q   S  S    E  Q.    S  S  Q.
|---------13-11--------|----------------------|
|------11--------11h12-|-11-------11h12p11----|
|----------------------|----13----------------|
|----------------------|----------------------|
|----------------------|----------------------|
|----------------------|----------------------|


   +Q.    E  E  Q   S  S    E  Q.    E  E  Q
|-----------13-11--------|---------------------|
|-(11)---11--------11h12-|-11-------11----11---|
|------------------------|----13---------------|
|------------------------|-------------13------|
|------------------------|---------------------|
|------------------------|---------------------|


   +Q.    E  E  Q   S  S    E  Q.    S  S  Q.      +E   Q   Q   Q.      W
|-----------13-11--------|----------------------|--------------------|-------*|
|-(11)---11--------11h12-|-11-------11h12p11----|-(11)---------------|-------*|
|------------------------|----13----------------|----------11--13----|-------*|
|------------------------|----------------------|------13------------|-13----*|
|------------------------|----------------------|--------------------|-------*|
|------------------------|----------------------|--------------------|-------*|


Duration Legend
---------------
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for.  Duration letters with no fret number below them represent rests.  Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for.  Low
melody durations appear below the staff

Tablature Legend
----------------
 h   - hammer-on
 p   - pull-off
 b   - bend
 pb  - pre-bend
 r   - bend release (if no number after the r, then release immediately)
 /\  - slide into or out of (from/to "nowhere")
 s   - legato slide
 S   - shift slide
  - natural harmonic
[n]  - artificial harmonic
n(n) - tapped harmonic
 ~   - vibrato
 tr  - trill
 T   - tap
 TP  - trem. picking
 PM  - palm muting
\n/  - tremolo bar dip; n = amount to dip
 \n  - tremolo bar down
 n/  - tremolo bar up
/n\  - tremolo bar inverted dip
 =   - hold bend; also acts as connecting device for hammers/pulls
 <>  - volume swell (louder/softer)
 x   - on rhythm slash represents muted slash
 o   - on rhythm slash represents single note slash

Misc Legend
-----------
 |  - bar
||  - double bar
||o - repeat start
o|| - repeat end
*|  - double bar (ending)
 :  - bar (freetime)
 $  - Segno
 &  - Coda
Tempo markers -  = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths


***************************************************************************************
* Generated using Power Tab Editor by Brad Larsen - http://powertab.guitarnetwork.org *
***************************************************************************************
4 comments total. Showing first comments.
+1 reply
deadbolt91765 wrote on August 15 2007, 09:49 pm

wow, this sounds like shit

0 reply
Azure013 wrote on August 1 2009, 11:47 pm

^- is nuts, this sounds good, be probably hasnt got his guitar in tune, i only used drop C myself =)

0 reply
kernelpickle wrote on October 5 2009, 09:47 pm

It doesn't matter if your guitar is "in tune" because you could NEVER BE "in tune" dropped THAT ****ing low! Rather than explain to you how a guitar's intonation works, and why you have to compensate for the length in the first place--TRUST me when I tell you that, even the BEST systems designed to compensate more than a stock instrument, STILL have issues!

This tuning would be ideally suited for a baritone guitar, because the larger scale makes compensation possible.

HOWEVER, the reason it sounds like shit is the same reason you don't play open chords on a Bass! The problem, is that low frequencies are muddy as hell, because the lower the note, the closer the frequencies are together, so even perfect sine waves would be near impossible to distinguish the actual pitches, BUT it's EVEN WORSE when you have soo many harmonics/overtones from a guitar string, that it gets to be a lovely soup of sub bass, bass and low-mid frequencies!

What you SHOULD do, is transpose this higher, so that the notes will actually cut thru a mix (unless you like playing alone all the time) THEN you can arrange to have the bass, or a piano double up the part, to fatten up the sound, without taking up the space for your guitar. If you don't believe me, try it and see--I guarantee it'll sound better, since it'll be the exact same notes without the flab.

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