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Sway Chords

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ver2
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Artist: BIC RUNGA
Title:  SWAY
Tabbed By: Rachael Morgan (rachy_roo@hotmail.com)

I'm pretty sure this is right, it's an easy song to play, 
I usually try and refrain from hitting the treble strings 
on the A1 (barre) chord, just muck around and see what's nice. 
Any comments or hate mail, please email me!

Chords Used
    D	= xx0232
    E	= 022100
   A1	= 577655
   A2	= x02220
  C#m	= x46654
   Bm	= x24432
  F#m	= 244222
   E7	= 022130


INTRO:

   D 		E     D 	 E
e-------------------|-----------------
B-------------------|-----------------
G----2-1-2---2-1-2--|---2-1-2---2-1-2-
D--0-------2--------|-0-------2-------
A-------------------|-----------------
E-------------------|-----------------

A1
Don't stray
    C#m
Don't ever go away
  D
I should be much to smart for this
   Bm
You know it gets the better of me

A1
Sometimes
   C#m
When you and I collide
   D
I fall into an ocean of you
 Bm
Pull me out in time

            F#m
Don't let me drown
        C#m
Let me down
           D		      E7
I say its all because of you

       A1
And here I go
C#m
Losing my control
    D
I'm practicing your name
         Bm
So I can say it to your face

            A1
It doesn't seem right
    C#m
To look you in the eye
    D
And let all the things you mean to me 
     Bm
Come tumbling out my mouth

          F#m
Indeed its time
        C#m
Tell you why
           D 		   E7
I say its infinately true
A2         E
Say you'll stay
             F#m
Don't come and go
          E7
Like you do

A2	  E
Sway my way
              F#m
Yeah I need to know
 	  E7
All about you
            A1
And there's no cure
    C#m
And no way to be sure
    D
Why everythings turned inside out
  Bm
Instilling so much doubt 

 		A1
It makes me so tired
     C#m
I feel so uninspired
    D
My head is battling with my heart
  Bm
My logic has been torn apart

    F#m
And now
     	     C#m
It all turns sour
 		  D		E7
Come sweeten every afternoon
A2		E
Say you'll stay 
            F#m
Don't come and go

 	   E7
Like you do

A2 	   E
Sway my way
 	       F#m
Yeah I need to know
 	  E7
All about you

A2 		E
Say you'll stay
 		 F#m
Don't come and go
 	   E7
Like you do

A2	   E
Sway my way
 		   F#m
Yeah I need to know
 	E7
All about you
    C#m			E
Its all because of you
    C#m			E
Its all because of you

SOLO
E-----------------------|--------------------|
B-----------------------|--------------------|
G--2----6h7p6--7--------|-----6h7p6--7—7-9---|
D--2--------------7--7--|--7-----------------|
A--------------------7--|--7-----------------|
E-----------------------|--------------------|

F#m
Now
 		C#m
It all turns sour
 		 D			E7
Come sweeten every afternoon
  F#m
Its time
 	   C#m
Tell you why
 	    D			  E7
I say its infinately true
A2		E
Say you'll stay 
 	       F#m
Don't come and go
        E7
Like you do

A2	  E
Sway my way
 		 F#m
Yeah I need to know
 	  E7
All about you

A2		E
Say you'll stay 
 	       F#m
Don't come and go
 	     E7
Like you do

A2	  E
Sway my way
 	       F#m
Yeah I need to know
 	     E7
All about you
    C#m			E
Its all because of you
    C#m			E
Its all because of you
    C#m			E	A2
Its all because of you
comments
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13 comments total. Showing first comments.
0 reply
andrewbiles wrote on April 26 2004, 12:00 am

The only chord I'm not sure about that you've put down there is the Bm, other than that it seems pretty much spot on.

0 reply
andrewbiles wrote on April 26 2004, 12:00 am

Oh, and why did you use two A chords when they're basically the same? Just felt you didn't need to put them both down as they're both in the same octave and there's really only 1 note difference with the added 'A' on the barre chord on the route 6. But still, it's an accurate chord sheet. Well done.

0 reply
morgavich wrote on May 24 2005, 12:00 am

I used 2 different A chords because although most of A2 is in the same octave of A1, the two tonics on the first and 6th string are higher and give the chord a different sound. I'm not sure what the actual chords used are; however from listening to the track, I distinctly heard two different A's. Please feel free to substitute any A you want, I encourage taking a track and making it your own!

I agree about the Bm, out of all of the chords used, that one just didn't sound 100% accurate. However, I tried mucking around, and I couldn't come up with a better sounding substitute. The thing about that chord is it's sort of a tension-releaser, despite being a minor. I think this is achieved with the use of Bm, it sounds close to the track and it doesn't sound too bad.

Thanks for your comments!

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