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Any Day Now
-----------
Standard tuning.
Intro: G Em
G Bm
Any day now I will hear you say
C
Goodbye my love
C#dim7
You'll be on your way
G B
Then my wild beautiful bird
Em C(add G)
You will have flown oh
G Am
Any day now I’ll be all alone
G
Oh, oh, oh
G Bm
Any day now, when your restless eyes
C
Meet someone new
C#dim7
To my sad surprise
G B Em C(addG)
Then the blue shadow will fall all over town
G
Any day now
Am
Love will let me down
G Bm C C#dim7
Oh, oh, oh
G B
Then my wild beautiful bird
Em C(add G)
You will have flown oh
D G
Any day now I’ll be all alone
BRIDGE
Em
I know I shouldn't want to keep you
Bm C D
If you don't want to stay, yeah
Em Bm
Until you've gone forever
Em D Em~~~~~~~~D(stop)
I'll be holding on for dear life
C
Holding you this way
D G
Begging you to stay
G
Any day now
Bm
When the clock strikes go
C
You'll call it off
C#dim7
Then my tears will flow
G B Em C)addG)
Then the blue shadow will fall all over town
G
Any day now
Am
Love will let me down
G
Oh, oh, oh
Oh, any day now
Em
Oh, oh, oh
G Em
Oh, any day now
G Em
Don't fly away my beautiful bird
G Em
Don't fly away my beautiful bird
C#dim
e -----
B --5--
G --4--
D --5--
A --4--
E -----
Pretty close to the chuch jackson original, might work for the ELvis version
Ronnie Milsap does it in a different key (F) with slight variation of the changes
Excellent chords - I used them with a guitar tuned to D Standard to play along with the Ronnie Milsap cover, in F as you said, and it sounds great, though I'm wondering if Milsap kept he C#dim in there. It doesn't sound quite right to me played along side it, so I'll see what they're actually doing there. Obviously that's no mistake on your part, as you have the Chuck Jackson version's chords here.
Excellent job. 5 stars.
Well tabbed! When I played along to Chuck Jackson's version, however, I noticed that your "C (add G)" is actually a C minor chord. And some of the chords don't use the root as their foundation. When this is the case, I wrote e.g.: "G/D" indicating that this is a G major chord using a D as its root. Played like that the tension of the progression comes across like in the orignal.
I think this would be very close:
Intro
| G | G | G | G | Em | G |
Str 1
| G | G | Bm | Bm |
| C | C | C | C#dim7 |
| G/D | B7/D# | Em | Cm |
| G/D | G/D | Am/D | Am/D |
Str 2
| G | G | Bm | Bm |
| C | C | C | C#dim7 |
| G/D | B7/D# | Em | Cm |
| G/D | G/D | Am/D | Am/D |
Solo + short vocal part
| G | G | Bm | Bm |
| C | C | C | C#dim7 |
| G/D | B7/D# | Em | Cm |
| G/D | Am/D | G | G |
Middle 8
| Em | Em | Bm | C D|
| G | Bm | Em | Bm |
| Em | D | C | C/D |
Str 3
| G | G | Bm | Bm |
| C | C | C | C#dim7 |
| G/D | B7/D# | Em | Cm |
| G/D | G/D | Am/D | Am/D |
Outro
| G | G | Em | G |
| G | G | Em | G |
(fade)
What do you think?