The Putrefying Road In The Nineteenth Extremity Somewhere Inside The Bowels Of Endlessness Tab

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Intro
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-6-6-6-6-5-|
-4-4-4-4-3-|

Fig. 1
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---3<>4-------7<>8----|
----------------------|
-5--------8-5------2--|
-3--------6-3------0--|

Fig. 1a
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---3<>4-----|
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-5------8-2-|
-3------6-0-|

Fig. 2
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----------------------------------|
-33334444666600003333444466667777-

Fig. 3a
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---------------------4-3----|
-----2-3---------2-3-----5--|
---------4------------------|
-0-0-------3-0-0------------|

Fig. 3b
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--------------------------------|
--------------------------------|
-------------------------9-8----|
-----10-11---------10-11-----10-|
-0-0-------9-0-0-0--------------|

Fig. 3c
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-----------------|
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------------8----|
-7-8-----10------|
-----9-0---------|

Fig. 3d
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--------------10-9--|
------------8-------|
-7-8-----10---------|
-----9-0------------|

Fig. 4
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-2-2--2-2----|
-0-0--0-0-9\-|

Fig. 5a
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-----------------------------5-5-|
---------------------6-6---------|
-6-6-2-2-5-5-5-5-4-4-----5-5-----|
---------------------------------|
---------------------------------|

Fig. 5b
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---------------------------------|
---------------------------------|
-----------------------------2-2-|
-6-6-2-2-5-5-5-5-----4-4---------|
-4-4-0-0-3-3-3-3-2-2-----3-3-----|

Fig. 5c
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-------------2--|
---------4------|
-4-0-3-2---3----|

Fig. 6a
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-------------------------------7--|
-------8-7---5---------8-7---5----|
---8-7-----6---4---8-7-----6------|
----------------------------------|
-0---------------0----------------|

Fig. 6b
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-----------------------------------7-|
---------11-10---8---------8-7---5---|
---11-10-------9---7---8-7-----6-----|
-------------------------------------|
-0-------------------0---------------|

Fig. 6c
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---------------------------------------10-|
---------11-10---8-----------11-10---8----|
---11-10-------9---7---11-10-------9------|
------------------------------------------|
-0-------------------0--------------------|

Fig. 7a
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---3---3-----6-3-|
-2-1-5-1-3-5-4-1-|
-0---3---0-3-----|

Fig. 7b
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--------------------|
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---8----8------11-8-|
-7---10---7-10------|
--------------------|

Intro x1
Fig. 1a x8
Fig. 1b x1
Fig. 2 x6
Fig. 3a x9
Fig. 3b x4 (3a is introduced once, then repeated eight more times with vocals; this is 
a unison line save for the last four times, which are harmonized with Fig. 3b.)
Fig. 3c x8
Fig. 3d x2
Fig. 4 x1
Fig. 5a x4
Fig. 5b x4
Fig. 5a x2 (first time played by one guitar, second time by both)
Fig. 5c x8 (the second four times 5c is played, the figure is played an octave above. 
to tab that out.)
Fig. 6a x4
Fig. 6b x2
Fig. 6c x2
First two times, 6a and 6b are harmonized, second two times 6a and 6c are harmonized.
Fig. 3c x28 (the first four times Gtr. 1 reintroduces Fig. 3c, Gtr. 2 holds out an A for 
bars, followed by an eighth note A. On the downbeat of the fourth repetition (Fig 3c. 
one measure in length) there's a divebomb from the 3rd harmonic of the high-E.)
Fig. 3d x16 (At 2:15, 3d is played along with 3c)
Fig. 7a x2
Fig. 7b x2
Fig. 3d x1

Behold the wonders of multitrack recording!- At the same time 3c/3d ostinato begins, 
thickens during the last 16 repetitions as a third guitar outlines a diminished arpeggio. 
7b)

Fig. 3c is stated by a lone guitar one last time before everybody emphatically lands on 
marcato open A. How metal.