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Alamo Chords

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#This file is the author's own work and represents their interpretation of the #
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From ohig@ihug.co.nz Wed Apr  2 08:51:55 1997
Date: Tue, 25 Mar 1997 13:29:12 -0800
From: Gary Higgins 
To: acoustic@olga.net
Cc: guitar@olga.net
Subject: chord  Alamo  by Donovan Leitch

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?^@^@^@^B^@^Cw^?^@^@^@^B^@?A    ^@^@^@^B^@^?q^@^@^@^B^@8+k^@^@^@^B^@^]?l^@^@^@^B^@?l^?^@^@^@^C^A?B^F^@^C^@^C^A?^?^A^@3^@^C^A?^?^A^@4^@^B^@     ^?0^@^@^@^B^@?Y^Q^@^@^@^B^@!P^?^@^@^@^B^@Ws?^@^@^@^B^@<

^?^V^@^@^@^B^@~OV^@^@^@^B^@!kX^@^@^@^C^AP^?^D^@B^@^B^@?s^Y^@^@^@^C^A?^?^D^@D^@THE ALAMO    Donovan LeitchIm not really sure if Donovan wrote this as I have only heard him sing it and I have not seen it on any 
words are from memory and the chords are my own interpretation of the song. Hammering on and off strings on the F chord will give the required sound.C                              G           C                       
             F                  C         Eight hundred and eighty he challenged the travellers to die,C                          G                   C                 F                  C                    By a line that he drew with his sword as the battle drew nigh,           F                                       CEv^?ry man that stepped over the line was for glory         F                                CAnd he 
was left better fly,C                    G                          C              F           C    For over the line stepped one hundred and seventy nine.ChorusF                                                                           CHey  at Santa Anna  they^?re killing our soldiers below             F                           CSo the rest of  Texas will know,           G                      CAnd remember the AlamoC G C F C G CJim Bowie lay dying his blood and his powder were dryBut his knife had been willing to take him a few in replyYoung Davey Crockett lay laughin and dyinThe blood and the sweat in his eyeFor texas and freedom a man was more willing to dieChorusGary Higgins Ohig@ihug.co.nz^@^@?^?^@^@^C_^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^A^@^@^@?^?^???Oh^P?^?^H^@+'??0^@^@^@?^B^@^@^@^@^@^G^@^@^@^?^@^@^@^B^@^@^@?^@^@^@^D^@^@^@^@^A^@^@^H^@^@^@$^A^@^@^@^@^@H^A^@^@^@^@^@l^A^@^@^@^@^@^?^A^@^@^@^@^@?^A^@^@^P^@^@^@?^A^@^@^E^@S^@u^@m^@m^@a^@r^@y^@I^@n^@f^@o^@r^@m^@a^@t^@i^@o^@n^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@(^@^B^@^?^?^?^?^?^?^?^?^?^?^?^?^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@&^@^@^@?^B^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^?^?^?^?^?^?^?^?^?^?^?^?^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^?^?^?^?^?^?^?^?^?^?^?^?^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^?^?^?^?^?^?^?^?^?^?^?^?^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@
^@^@^@?^A^@^@^R^@^@^@ 
ALAMO    Donovan Leitch^@^^^@^@^@^@^@^@Gary Higgins^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^^^@^@^@^@^@^@Gary Higgins^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@@^@^@^@^@?0^T 

Word 6.0^@^@^@^@^@^@^@^@^@^@^C^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^^^@^@^@^B^@^@^@2^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^C^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@??e^@-?      ^D^@^@^@^@e^@^@^@^@^@^@^@^@^@^@^@^@^C^@^@?^H^@^@y^Q^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@?^E^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@j^@^@^@^@^@^@j^@^@^@j^@^@^@^@^@^@j^@^@^@^@^@^@j^@^@^@^@^@^@j^@^@^@^@^@^@j^@^@^T^@^@^@^?^@^@^@^@^@^@^?^@^@^@^@^@^@^?^@^@^@^@^@^@^?^@^@^@^@^@^@^?^@^@^@^@^@^@^?^@^@
^@^@^@^?^@^@

ALAMO    Donovan LeitchIm not really sure if Donovan wrote this as I have only heard him sing it and I have not seen it on any records.The words are from memory and the chords are my own interpretation of the 
Hammering on and off strings on the F chord will give the required sound.C                              G           C                                     F                  C         Eight hundred and eighty he 
the travellers to die,C                          G                   C                 F                  C                    By a line that he drew with his sword as the battle drew nigh,           F                                       CEv^?ry man that stepped over the line was for glory         F                                CAnd he that was left better fly,C                    G                          C          
   F           C    For over the line stepped one hundred and seventy nine.ChorusF                                                                           CHey  at Santa Anna  they^?re killing our soldiers below             F                           CSo the rest of  Texas will know,           G                      CAnd remember the AlamoC G C F C G CJim Bowie lay dying his blood and his powder were dryBut his knife had been willing to take him a few in replyYoung Davey Crockett lay laughin and dyinThe blood and the sweat in his eyeFor texas and freedom a man was more willing to dieChorusGary Higgins 
Paragraph Font^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@?^E^@^@^D^@^?^?^?^?^@^@^?^?^?^?^A^@^D!^?^?^A^@^@^@^@^@?^E^@^@^@^@^@^@^@^@^@^C^@^@?^H^@^@^E^@^@^C^@^@?^H^@^@^F^@F^@Gary Higgins^TC:\WINWORD\ALAMO.DOCGary Higgins^TC:\WINWORD\ALAMO.TXT^?@HP DeskJet 500C Printer^@LPT1:^@DESKJETC^@HP DeskJet 500C Printer^@^@^@^@^@^@^@^@^@^@^D^@^E^?^@(^@^C^?^?^G^A^@^A^@^@^@^@^@^@^@^A^@^A^@,^A^B^@^A^@,^A^A^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^A^@^@^@^C^@^@^@^A^@^@^@^A^@^@^@^@^@^@^@^@^@^@^@@^A^^A^?^A^@^@|^A^A^@^@^@?^A?^A^B^@^@^@?^A?^A^B^@^@^@?^A?^A^B^@^@^@^A^@HP DeskJet 500C Printer^@^@^@^@^@^@^@^@^@^@^D^@^E^?^@(^@^C^?^?^G^A^@^A^@^@^@^@^@^@^@^A^@^A^@,^A^B^@^A^@,^A^A^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^A^@^@^@^C^@^@^@^A^@^@^@^A^@^@^@^@^@^@^@^@^@^@^@@^A^^A^?^A^@^@|^A^A^@^@^@?^A?^A^B^@^@^@?^A?^A^B^@^@^@?^A?^A^B^@^@^@^A^@^@^?^A^@^@^@^@^@^@^@^@^@^H^@^@^?^@^@^@^@^@^@^@^@^@^@^@^@^@^@1^@^U^V^?^A^@^@Times New Roman^@^V^?^A^B^@Symbol^@&^?^A^@^@Arial^@"^@^D^@^@^H^?^X^@^@?^B^@^@H^A^@^@^@^@Z?^SFZ?^SF^@^@^@^@^B^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^D^@^?^P^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@$^CG^@^@^@^[THE ALAMO    Donovan Leitch^@^@^@Gary HigginsGary Higgins^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@
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