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#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Received: from salmon.maths.tcd.ie (salmon.maths.tcd.ie [134.226.81.11]) by post-office.nevada.edu (8.6.4/8.6.4) with SMTP id GAA05047 for ; Fri, 25 Mar 1994 06:10:13 -0800
From: Edmund Breslin
Date: Fri, 25 Mar 1994 14:10:06 +0000
X-Mailer: Mail User's Shell (7.2.5 10/14/92)
To: JamesB@nevada.edu
Message-ID: <9403251410.aa17301@salmon.maths.tcd.ie>
Run To The Hills
by Iron Maiden(Steve Harris)
Transcribed by Eddie Breslin(caladan@maths.tcd.ie)
(Solo Copied)
INTRO:
Gtr I (Adrian)
|----------------------------------------------------------|
|----------------------------------------------------------|
|-x-9--9---7----x-7--7---9-----x-5--5---7----x-0--0---2----|
|-x-9--9---7----x-7--7---9-----x-5--5---7----x-0--0---2----|
|----------------------------------------------------------|
|----------------------------------------------------------|
Gtr II (Dave)
All these notes are played using the third finger so there are
also grace notes due to changing position but I've just shown
the basic fingerings. Most of the bends should be "overbent" and
shaken heavily.
Neck Pickup
|-------------------------------------------------------------------|
|-15-15b17-15b17-15~---13-13b15-13b15-15b17~---11-11b13-11b13-13b15~|
|-------------------------------------------------------------------|
|-------------------------------------------------------------------|
|-------------------------------------------------------------------|
|-------------------------------------------------------------------|
To Bridge
LAST TIME pickup
|-------------------------|--------------|------------------------|
|-------------------------|----------3---|-----------------13b15~-|
|--10-10b12-10b12-12b14~--|-x-0--0---2---|--10-10b12-10b12--------|
|-------------------------|-x-0--0---0---|------------------------|
|-------------------------|--------------|------------------------|
|-------------------------|--------------|------------------------|
RHYTHM FOR VERSES:
D C C B+5 C B+5 D C C B+5 C B+5
|-------------------------------|---------------------------------|
|-------------------------------|---------------------------------|
|-------------------------------|---------------------------------|
|---7--------5------5--5--5--5--|---7--------5------5--5--5--5----|
|---5--------3------3--2--3--2--|---5--------3------3--2--3--2----|
|-------------------------------|---------------------------------|
A C F D
|---------------------------2---|
|---------------------------3---|
|---2--------5--------2-----2---|
|---2--------5--------3-----0---|
|---0--------3--------3-----0---|
|---------------------1---------|
CHORUS:
G F C G E F F#
|---3----------1--------------------------3--------------|
|---3----------1--------------------------3--------------|
|---4----------2---------5----------------4----1--2--3---|
|---5----------3---------5----------------5----2--3--4---|
|---5----------3---------3----------------5----2--3--4---|
|---3----------1--------------------------3----0--1--2---|
Run to the Hills Run for your lives
RHYTHM FOR SOLO:
E(m) F#m G C
|-------------(2)-(3)--------------------------------------|
|-------------(2)--3---------------------------------------|
|-------------(2)--4---------------------------------------|
|---2---------(4)--5----------5----------------------------|
|---2---------(4)--5----------3----------2-3-2-3-2-3-2-3---|
|---0------------------------------------------------------|
BRIDGE:
I'm just showing the basic fingerings. Listen for the
strumming and muting.
A B C D
|-------------------------------------------------|
|-------------------------------------------------|
|--2--2--2~----4--4--4~----5--5--5~----7--7--7~---|
|--2--2--2~----4--4--4~----5--5--5~----7--7--7~---|
|-------------------------------------------------|
|-------------------------------------------------|
ENDING:
C let ring B G strum fast
|--------------------------------3--------------|
|--------------------------------3--------------|
|---5------------------4---------4--------------|
|---5------------------4---------5--------------|
|---3------------------2---------5--------------|
|--------------------------------3--------------|
Run for your lives
Played with Phaser: rate ~ one quarter note.
E5 F#5 G5
|---------------------------------------12------12-----12--12-----|
|--15b(17)--r15---15b(17)-r15-b(17)~------------------------------|
|-------------------------------------------12------14------------|
|-----------------------------------------------------------------|
|-----------------------------------------------------------------|
|-----------------------------------------------------------------|
C5
|----------12---------------------------------------------|
|--15b(17)----12--15p12h15p12------12---------------------|
|------------------------------14------14b(16)--14b(16)~--|
|---------------------------------------------------------|
|---------------------------------------------------------|
|---------------------------------------------------------|
|--------------------------------------------------------|
|--------------------------------------------------------|
|--14b(16)--14--12--14--12--12-----------------------12--|
|------------------------------14~~~-----------12h14-----|
|--------------------------------------------------------|
|--------------------------------------------------------|
E5
|--------------------------------------------------------|
|----------------------------------15--15-----12h14--12--|
|-----------------------12--14--12---------14------------|
|--14--12---------12h14----------------------------------|
|----------14p12-----------------------------------------|
|--------------------------------------------------------|
F#5 G5
|--------------------------------------------10h12p10----|
|--12h15p12h15p12------12h15--15-s\-2-s/-12--------------|
|------------------14------------------------------------|
|--------------------------------------------------------|
|--------------------------------------------------------|
|--------------------------------------------------------|
C5
|--10h12p10h12-----12p10h12p10--10h12p10-----10h12--12b(15)~~--|
|---------------12------------------------12-------------------|
|--------------------------------------------------------------|
|--------------------------------------------------------------|
|--------------------------------------------------------------|
|--------------------------------------------------------------|
E5
|--12b(15)-s\-1-s/-7---------12h15p12h15p12h15p12--12h15p12--|
|------------------------------------------------------------|
|------------------------------------------------------------|
|------------------------------------------------------------|
|------------------------------------------------------------|
|------------------------------------------------------------|
F#5 G5
|-----------------------------------------------------------|
|--15p12h15p12h15p12h15-------------------------------------|
|------------------------12h14p12h14p12h14p12h14p12---------|
|----------------------------------------------------12h14--|
|-----------------------------------------------------------|
|-----------------------------------------------------------|
C5
|----------------------------------------------|
|--------------15--------------------------15--|
|--12h14p12----14b(16)--HOLD-BEND---r(14)--14--|
|----------------------------------------------|
|----------------------------------------------|
|----------------------------------------------|
|-----------------------------------------------------------------|
|-----------------------------------------------------------------|
|--12-Tbar\-(9)-/-(12)-\-(9)-/-(12)-\-(9)-/-(12)-\-(5)-/-(12)-\---|
|-----------------------------------------------------------------|
|-----------------------------------------------------------------|
|-----------------------------------------------------------------|
E5
|---------------------------15--17-Tbar-\-(16)-/-(17)-\-(16)-/----|
|-----------------------------------------------------------------|
|--(9)-/-(12)-\-(7)-/-(12)----------------------------------------|
|-----------------------------------------------------------------|
|-----------------------------------------------------------------|
|-----------------------------------------------------------------|
|--(17)-\-(16)-/-(17)---------------------------------|
|-----------------------15-shake with Tbar as before--|
|-----------------------------------------------------|
|-----------------------------------------------------|
|-----------------------------------------------------|
|-----------------------------------------------------|
G5
|-----------------------------------------------|
|--17-Tbar shake---------------------------PH---|
|------------------------14-Tbar shake-----16~--|
|-----------------------------------------------|
|-----------------------------------------------|
|-----------------------------------------------|
C5
|----0----12--15b(18)--r(16)-r15--15--Tbar-\---(12)--\--(10)-s\---|
|--0----12--------------------------------------------------------|
|-----------------------------------------------------------------|
|-----------------------------------------------------------------|
|-----------------------------------------------------------------|
|-----------------------------------------------------------------|
not bad but on the intro the strings are bent up and down vigarously. also will someone else please tab his song so we can have some veriety.
nice tab m8 but there is a bit after the solo which i dont think you have put in or is it just me. it is like when you play a power chord and stop the strings at the end buy plam muting um i think
ur the only perons how has the intro right good job