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Am
FRONT AND BACK YOU'RE ON MY MIND,
YOUR NAME IS IN MY CEILING
Am
AND HOW I KNOW I KNOW YOU'RE MINE FOR
YOU ARE NOT LEAVING
C
I HEAR YOUR SHOUTING
C F
I FEEL YOUR POUNDING
Am
NOW YOU'RE MINE, YOU'RE MINE AGAIN
G Am
SWEAR YOU'LL NEVER LEAVE ME
Am
IN MY MIND I HEAR YOUR SONG,
Am
IT'S PLAYING WHILE I'M DREAMING
Am
DIDN'T MEAN TO MAKE IT REAL BUT COULDN'T
Am
STOP MY FEELING
C
I HEAR YOUR CRYING
C F
I FEEL YOUR WINDING
C
NOW YOU'RE MINE, YOU'RE MINE AGAIN
G Am
SWEAR YOU'LL NEVER LEAVE ME
C G Am
OH OH JEROME
C G Am
OH OH JEROME
C G Am
I'M SCREAMING AT NOTHING, JEROME
F G Am
YOU'VE GOT ME FOR NOTHING, JEROME
Am
FRONT AND BACK YOU'RE ON MY MIND
Am
YOUR NAME IS IN MY CEILING
Am
AND HOW I KNOW I KNOW YOU'RE MINE FOR
F
YOU ARE NOT LEAVING
C
I HEAR YOUR SHOUTING
C F
I FEEL YOUR POUNDING
C
NOW YOU'RE MINE, YOU'RE MINE AGAIN
G Am
SWEAR YOU'LL NEVER LEAVE ME
C G Am
OH OH JEROME
C G Am
OH OH JEROME
C G Am
I'M SCREAMING AT NOTHING, JEROME
F G Am
YOU'VE GOT ME FOR NOTHING, JEROME
Am (out...)
The fluid-sounding keyboard piece is the thinnest four strings, strummed in time.
Otherwise, play however you'd like. Simple strumming or strumming to the beat works.
I typically strum string A for the loud bass drum, then play the remainder of the chord.
