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Honey Honey Bass Tab

version 1
version 1

Whole song

Interactive

by ABBA
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Author
Difficulty
intermediate
HONEY, HONEY (Bassline)

As recorded by ABBA
(From the 1974 Album WATERLOO)

Words and Music by Björn Ulvaeus, Benny Andersson & Stig Anderson

Transcribed by Slowhand


Gtr I (E A D G) - 'Rutger Gunnarsson – Bass'


 Intro
  Q=141
 4/4
  Gtr I
  q  E E q  E E   q  E E q  E E   q  E E q  E E   q  E E E E E E
|---------------|---------------|---------------|----------------||
|---------------|---------------|----0-3----0-3-|----0-3---------||
|----0-3----0-3-|----0-3----0-3-|-1------1------|-1------1---3---||
|-1------1------|-1------1------|---------------|----------------||


   1st - 3rd Verses
    $
    q  E E q  E E   q  E E q  E E   q  E E q  E E   q  E E q  E E
||----------------|---------------|---------------|----------------|
||o---------------|---------------|----0-3----0-3-|----0-3----0-3--|
||o----0-3----0-3-|----0-3----0-3-|-1------1------|-1------1-------|
||--1------1------|-1------1------|---------------|----------------|


  q  E E q  E E   q  E E q  E E   q  E E q  E E   q  E E q  E E
|---------------|---------------|---------------|---------------|
|---------------|---------------|----0-3----0-3-|----0-3----0-3-|
|----0-3----0-3-|----0-3----0-3-|-1------1------|-1------1------|
|-1------1------|-1------1------|---------------|---------------|


  q  E E q  E E   q  E E E E q    q  E E q  E E   q  E E E E q
|---------------|---------------|---------------|---------------|
|---------------|---------------|---------------|---------------|
|----0-3----3-4-|-5----3-5---5--|----0-3----3-4-|-5----3-5---5--|
|-1------1------|----5-----5----|-1------1------|----5-----5----|


                                                 1.
  q  E E q  E E   q  E E E E q    q  E E q  E E   q  E E E E E E
|---------------|---------------|---------------|-----------------||
|---------------|---------------|----0-3----0-3-|----0-3---------o||
|----0-3----3-4-|-5----3-5---5--|-1------1------|-1------1---3---o||
|-1------1------|----5-----5----|---------------|-----------------||


                                      Bridge
  2.,D.S.
                                                   PM       PM
  Q  E E +Q   Q    E E E E +E  E Q     Q.   E Q.   E   Q.   E Q.   E
|----------------|------------------||---------------|---------------|
|----------------|------------------||---------------|---------------|
|-3--3-3-(3)--3--|-3-3-3-3-(3)-3-3--||-3----3-3----3-|---------------|
|----------------|------------------||---------------|-1----1-1----1-|


       PM     PM       PM     PM       PM              PM
  Q.   E Q.   E   Q.   E Q.   E   Q.   E Q.   E   Q.   E Q  E E
|---------------|---------------|---------------|---------------|
|---------------|---------------|---------------|---------------|
|-1----1-0----0-|---------------|-3----3-3----3-|---------------|
|---------------|-3----3-3----3-|---------------|-1----1-1--1-1-|


       PM              PM     PM              PM
  Q.   E Q.   E   Q.   E Q.   E   Q.   E Q.   E
|---------------|---------------|---------------|
|---------------|---------------|-3----3-3----3-|
|-1----1-1------|-1----1-1----1-|---------------|
|---------------|---------------|---------------|


                                      PM
  Q.   E Q  Q    Q.   E Q.   E   Q.   E Q.   E   Q.   E Q.   E
|-3----3-3-----|---------------|---------------|---------------|
|-----------3--|-1----1-0----0-|---------------|---------------|
|--------------|---------------|---------------|---------------|
|--------------|---------------|-4----4-4----4-|-4----4-4----4-|


                                           D.S.
                      PM
  Q.   E Q  Q    Q.   E Q.   E   E E E E E E Q
|--------------|---------------|----------------||
|--------------|---------------|----------------||
|-4----4-4-----|---------------|-3-3-3-3-3-3-3--||
|-----------4--|-3----3-3----3-|----------------||


 Outro
  q  E E q  E E   q  E E q  E E   q  E E q  E E   q  E E q  E E
|---------------|---------------|---------------|---------------|
|---------------|---------------|----0-3----0-3-|----0-3----0-3-|
|----0-3----0-3-|----0-3----0-3-|-1------1------|-1------1------|
|-1------1------|-1------1------|---------------|---------------|


  q  E E q  E E   q  E E q  E E   q  E E q  E E   q  E E q  E E
|---------------|---------------|---------------|---------------|
|---------------|---------------|----0-3----0-3-|----0-3----0-3-|
|----0-3----0-3-|----0-3----0-3-|-1------1------|-1------1------|
|-1------1------|-1------1------|---------------|---------------|


  q  E E q  E E   q  E E E E q    q  E E q  E E   q  E E E E q
|---------------|---------------|---------------|---------------|
|---------------|---------------|---------------|---------------|
|----0-3----3-4-|-5----3-5---5--|----0-3----3-4-|-5----3-5---5--|
|-1------1------|----5-----5----|-1------1------|----5-----5----|


  q  E E q  E E   q  E E E E q    q  E E q  E E   q  E E E E E E
|---------------|---------------|---------------|----------------*|
|---------------|---------------|----0-3----0-3-|----0-3---------*|
|----0-3----3-4-|-5----3-5---5--|-1------1------|-1------5---3---*|
|-1------1------|----5-----5----|---------------|----------------*|


Duration Legend
---------------
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for.  Duration letters with no fret number below them represent rests.  Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for.  Low
melody durations appear below the staff

Tablature Legend
----------------
 h   - hammer-on
 p   - pull-off
 b   - bend
 pb  - pre-bend
 r   - bend release (if no number after the r, then release immediately)
 /\  - slide into or out of (from/to "nowhere")
 s   - legato slide
 S   - shift slide
  - natural harmonic
[n]  - artificial harmonic
n(n) - tapped harmonic
 ~   - vibrato
 tr  - trill
 T   - tap
 TP  - trem. picking
 PM  - palm muting
\n/  - tremolo bar dip; n = amount to dip
 \n  - tremolo bar down
 n/  - tremolo bar up
/n\  - tremolo bar inverted dip
 =   - hold bend; also acts as connecting device for hammers/pulls
 <>  - volume swell (louder/softer)
 x   - on rhythm slash represents muted slash
 o   - on rhythm slash represents single note slash

Misc Legend
-----------
 |  - bar
||  - double bar
||o - repeat start
o|| - repeat end
*|  - double bar (ending)
 :  - bar (freetime)
 $  - Segno
 &  - Coda
Tempo markers -  = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths




Honey honey, how you thrill me, ah-hah, honey honey
Honey honey, nearly kill me, ah-hah, honey honey
I'd heard about you before
I wanted to know some more
And now I know what they mean, you're a love machine
Oh, you make me dizzy

Honey honey, let me feel it, ah-hah, honey honey
Honey honey, don't conceal it, ah-hah, honey honey
The way that you kiss goodnight
(The way that you kiss me goodnight)
The way that you hold me tight
(The way that you're holding me tight)
I feel like I wanna sing when you do your thing

I don't wanna hurt you, baby, I don't wanna see you cry
So stay on the ground, girl, you better not get too high
But I'm gonna stick to you, boy, you'll never get rid of me
There's no other place in this world where I rather would be

Honey honey, touch me, baby, ah-hah, honey honey
Honey honey, hold me, baby, ah-hah, honey honey
You look like a movie star
(You look like a movie star)
But I know just who you are
(I know just who you are)
And, honey, to say the least, you're a dog-gone beast

So stay on the ground, girl, you better not get too high
There's no other place in this world where I rather would be

Honey honey, how you thrill me, ah-hah, honey honey
Honey honey, nearly kill me, ah-hah, honey honey
I heard about you before
I wanted to know some more
And now I know what they mean, you're a love machine
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