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-------------------------------------------------------------------------------
                             Our Truth - Lacuna Coil
-------------------------------------------------------------------------------
Tabbed by: Phil Underhill
Email: pj@pjbox.mine.nu

Tuning: B F# B E G# C#

^ = Pinch Harmonic
~ = Vibrato
~~ = Exaggerated Vibrato
PM = Palm Mute
s = Slide
t = Trill

Fig 1:
C#|----
G#|----
 E|----
 B|12s0
F#|12s0
 B|12s0

Fig 2:
C#|-----------------------------------------------------------------|
G#|-----------------------------------------------------------------|
 E|-----------------------------------------------------------------|
 B|------7--7--------8--8--7s8s7s8--------7--7--------8--8--7s8s7s8-|
F#|0--0--5--5--0--0--6--6--5s6s5s6--0--0--5--5--0--0--6--6--5s6s5s6-|
 B|0--0--------0--0-----------------0--0--------0--0----------------|

Fig 3:
C#|-----------------------------------------------------------------|
G#|-----------------------------------------------------------------|
 E|-----------------------------------------------------------------|
 B|------7--7--------8--8--7s8s7s8--------7--7-------8--------------|
F#|0--0--5--5--0--0--6--6--5s6s5s6--0--0--5--5--0--0-6--0--0--------|
 B|0--0--------0--0-----------------0--0--------0--0----0--0--5~~---|
                                                              ^
Fig 4:
C#|-----------------------------------------------------------------|
G#|-----------------------------------------------------------------|
 E|7---------------7----------------7---------------7---------------|
 B|7---------------7----------------7---------------7---------------|
F#|----0---0---0-------0---0------------0---0---0-------0---0-------|
 B|----0---0---0-------0---0------------0---0---0-------0---0-------|

Fig 5:
C#|---------------------------------|
G#|---------------------------------|
 E|---------------------------------|
 B|---------------------------------|
F#|------------------6~-------------|
 B|8--8--8--7--7--7-----------------|
                     ^
Fig 6:
C#|-----------------------------------------------------------------|
G#|-----------------------------------------------------------------|
 E|-----------------------------------------------------------------|
 B|5----------1----------3----------0----------6----------8---------|
F#|5----------1----------3----------0----------6----------8---------|
 B|5----------1----------3----------0----------6----------8---------|

Fig 7:
C#|-----------------------------------------------------------------|
G#|-----------------------------------------------------------------|
 E|-----------------------------------------------------------------|
 B|5----------1----------3----------6-------------------------------|
F#|5----------1----------3----------6-------------------------------|
 B|5----------1----------3----------6-------------------------------|

Fig 8:
C#|-----------------------------------------------------------------|
G#|-----------------------------------------------------------------|
 E|-----------------------------------------------------------------|
 B|-----------------------------------------------------------------|
F#|------5--5--------6--6--5t6t5t6--------5--5--------6--6--5t6t5t6-|
 B|0--0--------0--0-----------------0--0--------0--0----------------|
   PM

Fig 9:
C#|-----------------------------------------------------------------|
G#|-----------------------------------------------------------------|
 E|-----------------------------------------------------------------|
 B|-----------------------------------------------------------------|
F#|------5--5--------6--6--5t6t5t6--------------------6-------------|
 B|0--0--------0--0-----------------8--8--8--7--7--7-------1---1----|
   PM
                                                      ^
Fig 10:
C#|-----------------------------------------------------------------|
G#|-----------------------------------------------------------------|
 E|-----------------------------------------------------------------|
 B|-----------------------------------------------------------------|
F#|---------------5-----------------------6--------------5h6p5h6----|
 B|0------0---------------0-------0---------------0-----------------|

Fig 11:
C#|-----------------------------------------------------------------|
G#|-----------------------------------------------------------------|
 E|-----------------------------------------------------------------|
 B|-----------------------------------------------------------------|
F#|---------------5-----------------------6-------------------------|
 B|0------0---------------0-------0---------------0----5s8~----7~---|

 Intro:
 Instrumental, Fig 1, Fig 2, Fig 3, Fig 2, Fig 2

 Verse 1:
 Fig 4, Instrumental, Fig 5, Fig 4 (x2), Fig 5

 Chorus 1:
 Fig 6 (x3), Fig 7

 Bridge:
 Fig 2, Fig 3

 Verse 2:
 Instrumental, Fig 5, Fig 4 (x2), Fig 5 (x2)

 Chorus 2:
 Fig 6 (x3), Fig 7

 Bridge:
 Instrumental, Fig 8, Fig 9

 Chorus 3:
 Fig 6 (x3), Fig 7

 Bridge:
 Fig 2, Fig 3, Fig 2, Fig 2

 Outro:
 Fig 10, Fig 11, Fig 10, Fig 11 (Repeat to fade)

            
            
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11 comments total. Showing first comments.
0 reply
METSOAD 1,632 Mar 16, 2006 04:12 AM

This is an awesome tab, except it is played on a 7 string guitar

0 reply
Nocturnal Frost 187 Jun 23, 2006 04:16 AM

yes, is played with a 7 string guitar with standard tuning

+1 reply
Zev 10 Aug 01, 2006 07:31 PM

I'm guessing it was converted to a six string for a reason. Awesome tab.

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