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Cinnamon Girl bass

version 3
version 3

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Author
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CINNAMON GIRL (Bassline)

As recorded by Neil Young
(From the 1969 Album EVERYBODY KNOWS THIS IS NOWHERE)

Words and Music by Neil Young

Transcribed by Slowhand


Gtr I (E A D G) - 'Billy Talbot - Bass'


 Intro
  Q=105
 4/4
  Gtr I
  E E E E E E E E   E E E E +E  E Q    E E E E E E E E   E E E E +E  Q.
|-----------------|------------------|-----------------|------------------|
|-----------------|------------------|-----------------|------------------|
|-5-5-3-5---3-5---|-3-2-0------------|-5-5-3-5---3-5-0-|-3-2-0------------|
|-----------------|-------1-(1)-3----|-----------------|-------1-(1)-1/---|


  E E E E E E E E   E E E E +E  E Q    E E E E +E  E E E   E E E E +E  Q.
|-----------------|------------------|-------------------|-------------------||
|-----------------|------------------|-------------------|-------------------||
|-5-5-3-5---3-5---|-3-2-0------------|-5-5-3-5-(5)-3-5---|-3-2-0-------------||
|-----------------|-------1-(1)-3----|-------------------|-------1-(1)-1-----||


 1st Verse
  E Q  E E Q  E   E Q  E E Q  E   E Q  E E Q  E   E Q  E E Q  E
|---------------|---------------|--------5-5----|----------------|
|---------------|--------7-7----|------5------5-|--------5-5-----|
|-5-5--5------5-|------7------7-|-3-3-----------|------5------5--|
|--------5-5----|-5-5-----------|---------------|-3-3------------|


                                     $
  E E E E E E E E   E E E E +Q   E E   E Q  E E Q  E   E Q  E E Q  E
|-----------------|------------------|---------------|----------------|
|-----------------|------------------|---------------|--------7-7-----|
|-----0-3-5---5---|-3-0-3-0-(0)----3-|-5-5--3------5-|------7------7--|
|-1-3-------------|------------------|--------5-5----|-5-5------------|


  E Q  E E Q  E   E Q  E E Q  E   E E E E E E E E   E E E E +Q.   E
|---------------|---------------|-----------------|------------------||
|---------------|--------5-5----|-----------------|------------------||
|-3-3----3-3----|------5------5-|-----0-3-5---5---|-3-2-3-0-(0)---3--||
|------3------3-|-3-3-----------|-1-3-------------|------------------||


 Interlude
  E E E E E E E E   E E E E +E  E Q    E E E E E E E E   E E E E +E  Q.
|-----------------|------------------|-----------------|-------------------|
|-----------------|------------------|-----------------|-------------------|
|-5-5-3-5---3-5---|-3-2-0------------|-5-5-3-5---3-5-0-|-3-2-0-------------|
|-----------------|-------1-(1)-3----|-----------------|-------1-(1)-1/----|


                                                                   To Coda
  E E E E E E E E   E E E E +E  E Q    E E E E +E  E E E   E E E E +E  Q.
|-----------------|------------------|-------------------|-------------------||
|-----------------|------------------|-------------------|-------------------||
|-5-5-3-5---3-5---|-3-2-0------------|-5-5-3-5-(5)-3-5---|-3-2-0-------------||
|-----------------|-------1-(1)-3----|-------------------|-------1-(1)-1-----||


 2nd Verse
  E Q  E E Q  E   E Q  E E Q  E   E Q  E E Q  E   E Q  E E Q  E
|---------------|---------------|--------5-5----|----------------|
|---------------|--------7-7----|------5------5-|--------5-5-----|
|-5-5--3------5-|------7------7-|-3-3-----------|------5------5--|
|--------5-5----|-5-5-----------|---------------|-3-3------------|


                                        Bridge
                         D.S. al Coda &
  E E E E E E E E   E E E E +Q   E E     Q.   E Q  E E   +Q.   E Q  E E
|-----------------|-------------------||---------------|----------------|
|-----------------|-------------------||---------------|----------------|
|-----0-3-5---5---|-3-0-3-0-(0)----3--||-3-----------3-|-(3)----------3-|
|-1-3-------------|-------------------||------5-5--5---|-------5-5--5---|


  +Q.   E Q  E E   Q.   E E E E E   E Q  E +E  E E E   E Q  E E Q  E
|----------------|----------7-7---|------------------|----------------|
|----------------|-5----5-5-----3-|-5-5--3-(3)-------|-------------5--|
|-(3)--------3-5-|----------------|------------5-5-5-|------7-7-7-----|
|-------5-5------|----------------|------------------|-5-5------------|


                     Outro
  E Q  E +E  E E E    E Q  E E Q  E   E Q  E E Q  E   E Q  E E Q  E
|------------------||---------------|---------------|--------5-5-----|
|-7-7--5-(5)---5---||---------------|--------7-7----|------5------5--|
|------------7---7-||-5-5--5------5-|------7------7-|-3-3------------|
|------------------||--------5-5----|-5-5-----------|----------------|


  E Q  E E Q  E   E E E E E E E E   E E E E +Q.   E   E Q  E E Q  E
|---------------|-----------------|-----------------|----------------|
|--------5-5----|-----------------|-----------------|----------------|
|------5------5-|-----0-3-5---5---|-3-2-3-0-(0)---3-|-5-5--3------5--|
|-3-3-----------|-1-3-------------|-----------------|--------5-5-----|


  E Q  E E Q  E   E Q  E E Q  E   E Q  E E Q  E   E E E E E E E E
|---------------|--------5-5----|---------------|------------------|
|--------7-7----|------5------5-|--------5-5----|------------------|
|------7------7-|-3-3-----------|------5------5-|-----0-3-5---5----|
|-5-5-----------|---------------|-3-3-----------|-1-3--------------|


                                     Free time cadenza
  E E E E +Q.   E   E E E E +H        Wx7
|-----------------|----------------||--------*|
|-----------------|----------------||--------*|
|-3-2-3-0-(0)---3-|-5-5-3-5-(5)----||--------*|
|-----------------|----------------||--------*|


Duration Legend
---------------
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for.  Duration letters with no fret number below them represent rests.  Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for.  Low
melody durations appear below the staff

Tablature Legend
----------------
 h   - hammer-on
 p   - pull-off
 b   - bend
 pb  - pre-bend
 r   - bend release (if no number after the r, then release immediately)
 /\  - slide into or out of (from/to "nowhere")
 s   - legato slide
 S   - shift slide
  - natural harmonic
[n]  - artificial harmonic
n(n) - tapped harmonic
 ~   - vibrato
 tr  - trill
 T   - tap
 TP  - trem. picking
 PM  - palm muting
\n/  - tremolo bar dip; n = amount to dip
 \n  - tremolo bar down
 n/  - tremolo bar up
/n\  - tremolo bar inverted dip
 =   - hold bend; also acts as connecting device for hammers/pulls
 <>  - volume swell (louder/softer)
 x   - on rhythm slash represents muted slash
 o   - on rhythm slash represents single note slash

Misc Legend
-----------
 |  - bar
||  - double bar
||o - repeat start
o|| - repeat end
*|  - double bar (ending)
 :  - bar (freetime)
 $  - Segno
 &  - Coda
Tempo markers -  = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths




I wanna live
With a cinnamon girl
I could be happy
The rest of my life
With a cinnamon girl.

A dreamer of pictures
I run in the night
You see us together,
Chasing the moonlight,
My cinnamon girl.

Ten silver saxes,
A bass with a bow
The drummer relaxes
And waits between shows
For his cinnamon girl.

A dreamer of pictures
I run in the night
You see us together,
Chasing the moonlight,
My cinnamon girl.

Pa sent me money now
I'm gonna make it somehow
I need another chance
You see your baby loves to dance
Yeah... Yeah... Yeah.

            
            
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leograssi90 501 Jan 12, 2016 03:05 AM

Great job, as usual! I was working this (brilliant) song out some weeks ago, then I realized the bridge was barely audible and required more attention. You got it first, thank you! :-)

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