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We have an official About A Girl tab made by UG professional guitarists. Check out the tab »
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by Nirvana
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Strumming
There is no strumming pattern for this song yet. and get +5 IQ
Brilliant song and I'd hate to mess up the tabs but anyway!

The verse is very simply

Em, G

and the chorus is

C#, G#, F#, E, A, C

and the solo, well, there's loads of versions of it but this is the
simplist and it sounds exactly like the real song. Sounds great on acoustic and electric
so just pick up a guitar and try it!

It's something like this:

e|---------------------------------------------------------------|
B|---------------------------------------------------------------|
G|---------------------------------------------------------------|
D|----------------5---7---9--9--9---12---12----------------------|
A|--------5---7--------------------------------------------------|
E|----0----------------------------------------------------------|

play this 4 times and then go back in C#, G#, F#, do this twice
then go to E, A, C once and then back to the original Em, G pattern

The patterns easy to figure out from the song.

            
            
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7 comments total. Showing first comments.
+2 reply
skatersic666 557 Apr 06, 2004 08:00 PM

The solo you tabbed out was partialy right but i play it like this:

|---------------------------------------------------------------|
|---------------------------------------------------------------|
|-------------------------------------------12--12--12----------|
|----------------5---7---9--9--9---12---12----------------------|
|--------5---7--------------------------------------------------|
|----0----------------------------------------------------------|

It sounds good either way but i like to play it my way.

+2 reply
dark-cube2 10 Aug 18, 2005 08:00 PM

no, it sounds better if u play the 12 on the D and G at the same time

+1 reply
Richey 16 Jan 10, 2006 02:20 AM

yeah dark-cube2. i play it like that, too. sounds much better.
in some live acts kurt plays even the 9 on D and G. sounds great, too.

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