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Landlady tab

version 1
version 1

Whole song

by Phish
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Author
-----------------------------------------------------------------------------
                             Phish - Landlady
-----------------------------------------------------------------------------
Tabbed by: Pauly S
Email: Pscarinci@aol.com

CHORD VOICINGS (chords not shown are played in open position)

   F#m7 G#dim C#m7 D D#dim C Bm7 Fdim Bbdim G# C# F#
E--------------------------------------------4--4--2-
B--------------5----7-7-----5-3--------2-----4--6--2-
G---2----4-----4----7-5-----5-2---1----0-----5--6--3-
D---2----3-----6----7-7-----5-4---0----2-----6--6--4-
A---4----5-----4----5-6-----3-2---2----1-----6--4--4-
E---2----4------------------------1----------4-----2-



(intro - 4x: last time - drum fill)
  F#m7               G#dim
|  /   /   /   /   |  /   /   /   /   |


(piano part - 8x: over intro chords)
  F#m7    F#m7/F     F#m7/E  F#m7/Eb
|  /   /   /   /   |  /   /   /   /   |


(Theme 1)
                        3/4 time                  4/4 time
  N/C                   F#m7         C#m7         N/C
E-|---------------------|9-----------|------------|-----------------|
B-|-------------9-10-12-|------12-10-|12-----10-9-|10---12---9------|
G-|----------11---------|------------|------------|--------------9--|
D-|-------11------------|------------|------------|-----------------|
A-|--9-13---------------|------------|------------|-----------------|
E-|---------------------|------------|------------|-----------------|

(Eric Berman note: I think it may go like this:
  N/C                   F#m7         C#m7         N/C
E-|---------------------|9-----------|------------|-----------------|
B-|-------------9-10-12-|------12-10-|12-----10-9-|10---12---9------|
G-|----------11---------|------------|------------|--9----9---9--9--|
D-|-------12------------|------------|------------|---------------9-|
A-|----13---------------|------------|------------|-----------------|
E-|--14-----------------|------------|------------|-----------------|


  G#dim                            F#m7
E-|--------------|-----------------|-----------------|--------|
B-|--------------|---------------9-|-----------------|--------|
G-|--------------|------------10---|11---------------|--------|
D-|12----11-9-11-|12--11-9-12------|---11------------|--------|
A-|--------------|-----------------|-----------------|--------|
E-|--------------|-----------------|-----------------|--------|


  G#dim                                     F#m7
E-|-------------------|------------------10-|9---------------|
B-|-------------------|-------------9-10----|----------------|
G-|-------------------|--------9-11---------|----------------|
D-|--9-12-9-11-9-8-11-|9-11-12--------------|----------------|
A-|-------------------|---------------------|----------------|
E-|-------------------|---------------------|----------------|


  Em      A         D                 D#dim      D
E-|9-------12-------|10-------------9-|10-9------------10---|
B-|-----------------|-----------------|-----12-10-12--------|
G-|-----------------|-----------------|---------------------|
D-|-----------------|-----------------|---------------------|
A-|-----------------|-----------------|---------------------|
E-|-----------------|-----------------|---------------------|


  C#m7             C                     Bm7     A
E-|9---------------|---9---------------9-|-----------------|
B-|----------------|12---12-10-9-10------|12------------10-|
G-|----------------|----------------11---|-----------------|
D-|----------------|---------------------|-----------------|
A-|----------------|---------------------|-----------------|
E-|----------------|---------------------|-----------------|




  G#dim      Fdim      F#m7
E-|--------------------|-----------------|
B-|12-10-9---------9---|-----------------|   repeat Theme 1, hold the
G-|--------11-10-------|11---------------|   last F# note and chord
D-|--------------------|-----------------|   for an additional bar,
A-|--------------------|-----------------|   then proceed to Theme 2.
E-|--------------------|-----------------|


Theme 2

  Bm                 E                      A
E-|-14-------------10|14-10-----------12----|9----------9-10-|
B-|--------------12--|------12-10-9---------|--------12------|
G-|------------11----|----------------------|----------------|
D-|------------------|----------------------|----------------|
A-|------------------|----------------------|----------------|
E-|------------------|----------------------|----------------|


  Bbdim    A         G#       C#       F#
E-|12------|14-------|--------|13------|---------|
B-|--------|---------|16------|--------|14-------|
G-|--------|---------|--------|--------|---------|
D-|--------|---------|--------|--------|---------|
A-|--------|---------|--------|--------|---------|
E-|--------|---------|--------|--------|---------|


  Em                  A                  D
E-|----------------10-|9-----------------|---------------9-|
B-|12-----------12----|---------12-------|10---------------|
G-|-------------------|------------------|-----------------|
D-|-------------------|------------------|-----------------|
A-|-------------------|------------------|-----------------|
E-|-------------------|------------------|-----------------|


  D#dim    D         C#m7             G#dim    Fdim      F#m7
E-|------------------|----------------|------------------|--------|
B-|12-------10-------|9----------9-10-|9-----------------|--------|
G-|------------------|----------------|---------10-------|11------|
D-|------------------|----------------|------------------|--------|
A-|------------------|----------------|------------------|--------|
E-|------------------|----------------|------------------|--------|


Repeat theme 1, then intro chords to end.

And that's it! Note that I tried to represented note lengths fairly
accurately,but I could't think of a good way to notate triplets and
odd-length notes. The general rule is each dash represents a 16th note,
but I stretched the rule to accomodate double-digit fret numbers 'n'
stuff...let your ears be your guide!

Also, in places where the chords are G#dim -> Fdim, you can just hold
the G#dim if you want, since Fdim is just another inversion of the same
chord.



| /  slide up
| \  slide down
| h  hammer-on
| p  pull-off
| ~  vibrato
| +  harmonic
| x  Mute note
=============================================================================
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