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Lazy Eye Acoustic chords

version 1
version 1

Whole song

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There is no strumming pattern for this song yet. and get +5 IQ
LAZY EYE - Acoustic Chords (Alt. version for lone guitarists)
Silversun Pickups
Std. Tuning
| Chord | Full (Roots)     | Play Suggestions |
| G#m/E | 0-11--x-13-12-11 | 0-11--x-13(12)-x |  
| F#m/E | 0--9--x-11-10--9 | 0--9--x-11(10)-x |  
| Am/E  | 0-12--x-14-13-12 | 0-12--x-14(13)-x |
| C#m   | 9-11-11--9--9--9 | 9-11-11-(9--9)-x |        
| B     | 7--9--9--8--7--7 | 7--9--9-(8--8)-x |
| G#?   | ???              | x-11--x--9--x--x |
| E     | 0--2--2--1--0--0 | 0--2--2--1-(0)-x |
| E2    | x--7--x--9--9--7 | x--7--x--9-(9)-x |

[Main Riffs]
Riff 1 is the same with a different F#m/E at start of 2nd measure. 
The Am/E (Am) is the quick slide or bend to the A note (if playing only 2 strings) or shown
here as a slide to Am.
* below = Double-time (repeat). Messes up the formatting to try to squish another chord in.
Basically, all chords shown are downstrokes on 8 counts/measure, where there's an astericks
below fit in a quick follow-up upstroke (usually only hitting the E and A strings). At the
end of Riffs 1a-c, do this on the last 0-11 (or use 0-x) on E and A strings to make the record
skipping sound, before connecting to a similar pass.

[Riff 1a]                  |----(1a)----|
 | 1  .  2  .  3  .  4  .  | 1  .  2  .  3  .  4  .  |
   G#m/E                     F#m/E       G#m/E (Am)     
e|---------(*)----------*--|---------(*)------------*| 
B|(12)--------(12)---------|(10----10-10-12-12/13\12)| 
G|-13(13-13-13)13(13-13-13)|-11----11-11-13-13/14\13-|  
D|-x--x--x--x--x--x--x--x--|-x-----x--x--x--x--x--x--| 
A|-11-11-11-11-11-11-11-11-|-9-----9--9--11-11/12\11*|  
E|-0--0--0--0--0--0--0--0--|-0-----0--0--0--0-----0-0|   

[Riff 1b]                  |----(1b)----|
   G#m/E                     F#m/E       G#m/E (Am)     
e|---------(*)----------*--|------------------------*| 
B|(12)--------(12)---------|---------(12-12-12/13\12)| 
G|-13(13-13-13)13(13-13-13)|(11\9-/11)13-13-13/14\13-| 
D|-x--x--x--x--x--x--x--x--|-x--x--x--x--x--x--x--x--| 
A|-11-11-11-11-11-11-11-11-|-9-\7-/9--11-11-11/12\11*| 
E|-0--0--0--0--0--0--0--0--|-0--------0--0--0-----0-0| 

[Riff 1c]                  |----(1c)----|
   G#m/E                     F#m/E       G#m/E (Am)     
e|---------(*)----------*--|------------------------*| 
B|(12)--------(12)---------|------------(12-12/13\12)| 
G|-13(13-13-13)13(13-13-13)|---------(13)13-13/14\13-| 
D|-x--x--x--x--x--x--x--x--|-9-h11p9--x--x--x--x--x--| 
A|-11-11-11-11-11-11-11-11-|(9)-------11-11-11/12\11*| 
E|-0--0--0--0--0--0--0--0--|(0)-------0--0--0-----0-0| 

[Riff 2](varies in use, but this demonstrates the regular approach)
 | 1  .  2  .  3  .  4  .  | 1  .  2  .  3  .  4  .  |
   C#m                       B
e|---------(*)----------*--|---------(*)----------*--| 
B|(9~)--------(9)----------|(7~)--------(7)----------| 
G|-9~----------9-----------|-8~----------8-----------| 
D|-11(11-11-11)11(11-11-11)\-9-(9--9--9)-9-(9--9--9)-| 
A|-11-11-11-11-11-11-11-11-\-9--9--9--9--9--9--9--9--|
E|-9--9--9--9--9--9--9--9--\-7--7--7--7--7--7--7--7--|

[Bass Riff](pretty much throughout, heard more towards middle and end)
 | 1  .  2  .  3  .  4  .  | 1  .  2  .  3  .  4  .  |
E|-0--0--0--0--0--0--0--0--|-7--7--7--0-----0--0--0--|
Okay, now let's attack the song...

[INTRO]
 | 1  .  2  .  3  .  4  .  | 1  .  2  .  3  .  4  .  |
 |G#m/E                    |F#m/E(1a)    G#m/E (Am)  | (x3) - w/ Riff 1a
 |G#m/E                    |F#m/E(1b)    G#m/E (Am)  | (x1) - w/ Riff 1b
 |C#m                      |B                        | (x1) - w/ Riff 2
 |G#m/E                    |F#m/E(1c)    G#m/E (Am)  | (x4) - w/ Riff 1c
4)                                        I've been...

[VERSE 1]
 |G#m/E                    |F#m/E(1a)    G#m/E (Am)  | (x1) - w/ Riff 1a
  waiting...                               I've been   
 |G#m/E                    |F#m/E(1b)    G#m/E (Am)  | (x1) - w/ Riff 1b
  waiting for this moment   all...       my... 
 |C#m                      |B                        | (x1) - w/ Riff 2
  life...                         but it's not quite
 |G#m/E                    |F#m/E(1c)    G#m/E (Am)  | (x2) - w/ Riff 1c
1)right.
2)                                         And this...

[VERSE 2]
 |G#m/E                    |F#m/E(1b)    G#m/E (Am)  | (x2)
1)"real"...                                  it's im-           
2)-possible, if possible    at who's     blind...
 |C#m                      |B                        | (x1) 
  word...                        so clear  but so un-(heard)
                            * start Solo 1:1 (over this pass and a half)
 |G#m/E                    |F#m/E(1c)    G#m/E (Am)  | (x2)
1)-heard.

[SOLO 1]Part 1
e|-------------------------|-------------------------|
B|-------------------------|-------------------------|
G|-------------------------|-------------------------|
D|-------------------------|-14--14-12---------------|
A|-------------------------|----------14p12h14p12\11-|
E|-------------------------|-------------------------|

e|-------------------------|-------------------------|
B|-------------------------|-------------------------|
G|-------------------------|-------------------------|
D|-------9-----------9-----|-------------------------|
A|-9-h11---11--9-h11---11--|-------------------------|
E|-------------------------|-10/12\10-7--------------|

Then...
  * play Solo 1:2 (over these 4 measures)
 |G#m/E                    |F#m/E(1a)    G#m/E (Am)  | (x1)
 |G#m/E                    |F#m/E(1b)    G#m/E (Am)  | (x1)
                                           I've been...
[SOLO 1]Part 2 
e|-------------------------|-------------------------|
B|-------------------------|-------------------------|
G|-------------------------|-11-11--13--13/14-11-----|
D|-14-14-14-14-14-14-14-14-|-------------------------|
A|-------------------------|-------------------------|
E|-------------------------|-------------------------|

e|-------------------------|-------------------------|
B|-------------------------|-------------------------|
G|-------------------------|-11-11/13--11/9----------|
D|-14-14-14-14-14-14-14-14-|-------------------------|
A|-------------------------|-------------------------|
E|-------------------------|-------------------------|
                                         (I've been...)
[VERSE 3]                           

 |G#m/E                    |F#m/E(1b)    G#m/E (Am)  | (x2)
1)waiting...                               I've been
2)waiting for this silence all...          night... 

 |C#m                      |B                        | (x1)
  long...                     it's just a matter of

                           * play Solo 2 here (its short)
 |G#m/E                    |F#m/E(1b)     G#m/E (Am) | (x1)
   time.                                   To appear...

[SOLO 2]
e|-------------------------|-------------------------|
B|-------------------------|-------------------------|
G|-------------------------|-------------------------|
D|-------------------------|-14-14-------------------|
A|-------------------------|------14\12----(11/12\11)|
E|-------------------------|---------------(0--0--0-)|
                                          (To appear...)
[VERSE 4]

 |G#m/E                    |F#m/E(1b)    G#m/E (Am)  | (x2)
1)sad...                                   with this
2)same ol' decent lazy eye        fixed  to  rest on 

 |C#m                      |B                        | (x1)
  you...                         aim free  and so un-(true)

[MIDDLE SECTION](NICE)
(This is the "dic-A-dant-dant, dic-A-dic-A-dant-dant" part)
   G#?       F#m             G#m F#m G#m   G#m-Am-F#m
e|-------------------------|-------------------------|
B|-------------------------|-------------------------|
G|-9--9--x-x-11-11-11-x-x-/|-13--11--13--13-13/14\11-| (x1)
D|-x--x--x-x-x--x--x--x-x--|-x---x---x---x--x--x--x--| 
A|-11-11-x-x-9--9--9--x-x-/|-11--9---11--11-11/12\9--|
E|-------------------------|-------------------------|
   true.

   G#?       F#m             G#m            F#-E
e|-------------------------|-------------------------|
B|-------------------------|-------------------------|
G|-9--9--x-x-11-11-11-x-x-/|-13--13--13--13-11\9-----| (x1)
D|-x--x--x-x-x--x--x--x-x--|-x---x---x---x--x--x-----| 
A|-11-11-x-x-9--9--9--x-x-/|-11--11--11--11-9-\7-----|
E|-------------------------|-------------------------|

   G#?       F#m             G#m F#m G#m   G#m-Am-F#m
e|-------------------------|-------------------------|
B|-------------------------|-------------------------|
G|-9--9--x-x-11-11-11-x-x-/|-13--11--13--13-13/14\11-| (x1)
D|-x--x--x-x-x--x--x--x-x--|-x---x---x---x--x--x--x--| 
A|-11-11-x-x-9--9--9--x-x-/|-11--9---11--11-11/12\9--|
E|-------------------------|-------------------------|

   G#?       F#m             G#m      F#-E
e|-------------------------|-------------------------|
B|-------------------------|-------------------------|
G|-9--9--x-x-11-11-11-x-x-/|-13-13-13-11\9-----------| (x1)
D|-x--x--x-x-x--x--x--x-x--|-x--x--x--x--x-----------| 
A|-11-11-x-x-9--9--9--x-x-/|-11-11-11-9-\7-(11/12\11)|
E|-------------------------|---------------(0--0--0-)|
                                              Every-

 |C#m                      |B                        | (x1)
 -one     is     so   int-i-mately          rearanged...
 |G#m/E                    |F#m/E(1c)    G#m/E (Am)  | (x2)
2)                                           Every-

 |C#m                      |B                        | (x1)
 -one     can     fo-cus    clearly        with such
 * Solo 3 played over the next 8 measures
 |G#m/E                    |F#m/E(1a)    G#m/E (Am)  | (x3)
1)shine.
 |G#m/E                    |F#m/E(1b)    G#m/E (Am)  | (x1)
                                              Every-(one)

[SOLO 3] 
(Sorry haven't worked out or confirmed yet - when I don't know the solos, I just play the 
Riff 1a-c's using full chords and it sounds awesome, though doesn't match cd. Try it out)

 |C#m                      |B                        | (x1)
 -one     is    so    int-i-mately          re--a--(ranged...)
 |G#m/E                    |F#m/E(1a)    G#m/E (Am)  | (x1)
 -ranged...
 |G#m/E                    |F#m/E(1b)    G#m/E (Am)  | (x1)
                                               Every-
 |C#m                      |B                        | (x1)
 -one     can     fo-cus    clearly        with such

[MIDDLE SECTION](ANGRY THEN SWEET)
   E                       | E                       | (E2, can be used here too) 
   1  .  2  .  3  .  4  .  | 1  .  2  .  3  .  4  .  |                          
e|-------------------------|-------------------------| 
B|------(0)---------(0)----|------(0)---(0)---(0)----| (x4)
G|-------1-----------1-----|-------1-----1-----1-----|
D|-------2-----------2-----|-------2-----2-----2-----|
A|-2-2-2-2-----2-2-2-2-----|-2-2-2-2-2-2-2-2-2-2-----|
E|-0-0-0-------0-0-0-------|-0-0-0---0-0---0-0-------| 
1) shine!!!                              Lost  and 
2) loaded!!                              Still the
3) same ol' decent lazy eye    straight  thru  your
4) gaze!!!!       That's why I said that I have to re-

 |C#m                      |B                        | (x1)
 -late!!!         I said it really, its so fun  to re-
 |G#m/E                    |F#m/E(1c)    G#m/E (Am)  | (x2)
1)-late!
2)                                          It's the...
 |G#m/E                    |F#m/E(1b)    G#m/E (Am)  | (x2)
1)room,    the sun, and the sk-y-y--y.      It's the
2)room,    the sun, and the sky-----y.

[SPACEY INTERLUDE SECTION](Adlib solos over repeated sets of Riff 1a, 1b, and 2)
 |C#m*                     |B*                       | (x1)
* sometimes in this section the first C#m or B of Riff 2 is strummed and held through measure.
   
[Solo 4][here, played over]
[Background 1]
 |G#m/E                    |F#m/E(1a)    G#m/E (Am)  | (x1)
 |G#m/E                    |F#m/E(1b)    G#m/E (Am)  | (x1)

Or 

[Background 2]
E|-0--0--0--0--0--0--0--0--|-7--7--7--0-----0--0--0--| (x2) - Bass Riff

[SOLO 4](Alt. for phaser solo)
D|-------------------------|-------------------------|
A|-14-14-14-14-14-14-14-14-|-14-14-12-14-12-11-9--11-|
E|-0--0--0--0--0--0--0--0--|-0--0--0--0--0--0--0--0--|

G|-------------------------|-------------------------|
D|-------9----------9h11---|-------------------------|
A|-9-h11---11-9-h11------11|-------------------------|
E|-0--0----0--0--0-------0-|-12-12-10-7--------------|

then...
 |C#m                       |B                       | (x1)

into...
 | E2                      | E2                      | (x4) 
 | 1  .  2  .  3  .  4  .  | 1  .  2  .  3  .  4  .  |                          
e|-------------------------|-------------------------| 
B|------(9)---------(9)----|------(9)---(9)---(9)----| (E, reg/open, can be used here too)
G|-------9-----------9-----|-------9-----9-----9-----|
D|-x-x-x-x-----x-x-x-x-----|-x-x-x-x-x-x-x-x-x-x-----|
A|-7-7-7-7-----7-7-7-7-----|-7-7-7-7-7-7-7-7-7-7-----|
E|-x-x-x-------x-x-x-------|-x-x-x---x-x---x-x-------|                      
then back to...  
 |C#m                       |B                       | (x1)

[OUTRO](Back to familiarity to finish up...)
 |G#m/E                     |F#m/E(1c)   G#m/E (Am)  | (x4)
4)                                         I've been...

 |G#m/E                     |F#m/E(1a)   G#m/E (Am)  | (x3)
1)waiting...                              I've been
2)waiting for this moment...
3)

 |G#m/E                     |F#m/E(1b)   G#m/E (Am)  | (x1)
 |G#m/E*| (*single hit of 1st beat only)

************************************

| x    Dead note
| (n)  Ghost note
| *    Natural harmonic
| /    Slide up
| \    Slide down
| h    Hammer-on
| p    Pull-off
| ~    Vibrato
| .    Staccato
 

************************************

            
            
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4 comments total. Showing first comments.
+1 reply
thedude97 156 Jun 28, 2009 01:42 PM

That's not a chick singing this song. Watch the video. You are now officially gay.

0 reply
chall_99 352 Jun 29, 2009 09:39 AM

I didn't believe the video, or want to believe it. But found their Letterman performance on line. Okay, I correct my statement to "unless you have...and a really gay sounding singer." (PS, I'll still listen imagining Nikki, the bassist, is singing though.) I will update my text if anyone has issues with the actual tabs/chords.

0 reply
sickman411 30 Jul 05, 2010 05:24 PM

Sorry if I'm being picky, but that Abm should actually be G#m. Technically it's the same, but it helps understand the context (as in the E major scale). Actually, I think that chord is actually E major, seeing as it has no fifth (and if it did, it would more likely be an Emaj7).

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