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Heartbreaker Bass Tab

version 2
version 2

Whole song

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"Heartbreaker"
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Contributor
Rolling Stones
Heartbreaker
bass tab

  0.00         intro             t:120
|----------------|----------------|----------------|----------------|
|----------------|----------------|----------------|----------------|
|----------------|----------------|--------------7----------7-7---7-|
|----------------|--------------12\8---------------|-------8----78--|

|----------------|----------------|----------------|----------------|
|----------------|--------5-------|----------------|----------------|
|7---7---7-7-----|----------------|3-3-3-3-3-3-=---|7-------------7-|
|--00--00----0-3-|3-3-=-3---3-=-3-|--------------0-|---------------8|

  0.17         verse 1
|------------7-7-|----------------|----------------|----------7-7---|
|----------79----|----------------|----------------|--------79----9-|
|7---------------|7---------7-5---|----------5-5-6-|7---7--7-/------|
|----------------|--------------7-|5---5--55-------|----------------|

|----------------|----------------|----------------|----------------|
|----------------|----------------|----------------|----------------|
|7------77-7-=-7----7-7--77-7-=-7-|------------5-7----7-7---7-5-4-5-|
|----------------|----------------|5---5--55-5-----|----------------|

  0.35         chorus 1
|----------------|----------------|----------------|----------------|
|----------------|----------------|----------------|----------------|
|7---7--77-7-----|----------------|------------9-8-|7-777--77-7-6-6-|
|------------5\0-|3-3-3--33-3-5-7-|8---8--88-8-----|----------------|

|----------------|----------------|----------------|----------------|
|^---------------|----------------|----------------|----------------|
57-777-777-7-----|----------------|------------998-|7-7-7--.7-.7-65-|
|------------5\..|3-3-3-333-3-5-7-|8-8-8-.88-8-----|----------------|

  0.52         verse 2
|----------------|----------7-7---|----------------|----------7-7---|
|----------------|--------79----9-|----------------|--------79----9-|
|7--------------^|7---------------|0-----0-3-3-5-5-|7---------------|
|--------------57|----------------|----------------|----------------|

|----------------|----------------|----------------|----------------|
|----------------|----------------|----------------|----------------|
|7------77-7-=-7-|7---7--77-7-5---|--------5-5-5-6-|777-7--77-77-77-|
|----------------|--------------7-|5---5--5--------|----------------|

  1.09         chorus 2a
|----------------|----------------|----------------|----------------|
|----------------|----------------|----------------|--------^^^-----|
|7---7--77-7-7.--|----------------|------------9-8-|7-7-7--.765.^^^-|
|--------------0-|3-3-3-33333-357-|8-8-8-888-8-----|------------765.|

|----------------|----------------|----------------|----------------|
|----------------|----------------|----------------|----------------|
|7---7--77-7-----|----------------|------------9-8-|7-777-..7.5.4.5.|
|------------5\0-|3-3-3-333-3-5-7-|8-8-8-888-8-----|----------------|

  1.27         chorus 2b
|----------------|----------------|----------------|----------------|
|----------------|----------------|-------------^^-|---------^^--^^-|
|7---7---7-7-----|-------------^^-|------------987-|7-777--.765-567-|
|------------5\0-|3-3-3---3-3-357-|8---8--88-8-----|----------------|

|----------------|----------------|----------------|----------------|
|----------------|----------------|----------------|----------------|
|7-777--77-7-----|----------------|------------987-|7-------------5-|
|------------5\0-|3--.3--3-3-3-57-|8-8-8--88-8-----|----------------|

  1.42         solo
|------------7-7-|----------------|----------------|----------7-7---|
|----------79----|----------------|----------------|--------79----9-|
|7---------------|7---7---7-7--^^-|------0-3-3-5-5-|7---7-7---------|
|----------------|------------567-|5---------------|----------------|

|----------------|----------------|----------------|----------------|
|----------------|----------------|----------------|----------------|
|7---7--77-7-=-7-|7---7-777-7-5---|--------3-3-5-5-|7-7-7--77-775-5-|
|----------------|--------------5-|5---5-----------|----------------|

  2.02         chorus 3a
|----------------|----------------|----------------|----------------|
|----------------|----------------|----------------|----------------|
|7---7--77-7-----|----------------|------------9-8-|7-7-7--7777-567-|
|0---.-------5\0-|3-3-3--3333.5-7-|8-8-8-88888-----|----------------|

|----------------|----------------|----------------|----------------|
|----------------|----------------|----------------|----------------|
|7-777-77777-7---|-------^--------|------------9-8-|7-777-777-77-77-|
|--------------5\|3-3-3-303-3-5-7-|8-8-8-888-8-----|----------------|

  2.21         chorus 3b
|----------------|----------------|----------------|----------------|
|----------------|----------------|----------------|----------------|
|7-777-777-7-7---|----------------|------------9-8-|7-7-7-777-7-5-6-|
|--------------5\|3-3-3-333-3-5-7-|8-.-8-..8-8-----|----------------|

|----------------|----------------|----------------|----------------|
|----------------|----------------|----------------|----------------|
|7-777-777-7-7---|----------------|------------9-8-|7-.-7-..7-5-4-5-|
|--------------5\|3-3-3-333-3-5-7-|8-=-8-..8-8-----|----------------|

  2.36         outro
|----------------|----------------|----------------|----------------|
|----------------|----------------|----------------|-----------14\\-|
|7---7--77-77----|----------------|------------9-8-|7-..7-..7//-----|
|------------5\0-|3-3-3--33-3-5-7-|8-8-8-..8-8-----|----------------|

|----------------|----------------|----------------|----------------|
|----------------|----------------|----------------|----------------|
|7---7--77-7-7-0-|----------------|------------9-8-|7-..7-..7-7-5-6-|
|----------------|3-3-3--33-3-5-7-|8-8-8-..8-8-----|----------------|

  2.53
|----------------|----------------|----------------|----------------|
|----------------|5-5-5-555-5-7-9-|----------------|----------------|
|7-777-777-7-5-7-|----------------|------------9-8-|7-7-7-7-7-7-7-5-|
|----------------|----------------|8-8-8-..8-8-----|----------------|

|----------------|----------------|----------------|----------------|
|----------------|----------------|----------------|----------9/14\-|
|5-7-5-775-7-----|-------------^^-|--------------9-|7-..7-..7-------|
|------------5\0-|3-3-3-333-5-567-|8--88-888-8-8---|----------------|

  3.10
|----------------|----------------|----------------|------------97--|
|----------------|----------------|----------------|----------79--9-|
|7---7---777-----|----------------|------------9-8-|7-..7-..79------|
|------------5\0-|3-3-3-333-3-5-7-|8-8-8-888-8-----|----------------|

|----------------|----------------|----------------|----------------|
|--------------7-|5-.-5-555-7-9---|--X-8-----------|------------
|7-7-7-777-7-7---|----------------|--------X-9-.-7----------
|----------------|--------------8------------------|----


standard tuning (EADG)

| /  slide up
| \  slide down

| .   incidental note (usually open string)
| ^   pre-struck note (hammer-on, pull-off)
| =   rest

| X   10
| E   11
| T   12
| H   13
| F   14

other punctuation
= percussion cues

horizonto time standardized
display in fixed-width font
one space ("-") = 1/16 note
n fits easily on one screen
print out in landscape mode

tabbed by
spaceyhippie
dudeman.net/jam


this song, you can (almost) get away with playin
pretty much basically the same thing over n over
except for the solo n slow parts, same riffs tho
but the thing is... that's
not exactly what's goin on
how the riffs are treated
with accent on the changes
...defining the whole...
...attitude of the tune
it's being emotionally
affected by the story
reacting accordingly
n even predicting an outcome
a natural resolution thingy
...it is the pattern
itself, reflectively
different dots connected
depending on the moments
n it's total garage band
kinda... approach, to it
but with horns
...ultimately
n eventually
n backup vocal dependent for the hook
...but, still... vital methodology...
...you should know this in yer sleep
n have yer own interpretation of it
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