Deathly Chords
by Aimee Mann34,704 views, added to favorites 1,037 times
| Difficulty: | beginner |
|---|---|
| Tuning: | E A D G B E |
| Capo: | no capo |
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Deathly/Aimee Mann
D G Bm E G E7 D A
Now that I've met you would you object to never seeing each other again
Cause I can't afford to climb aboard you no one's got that much ego to spend
F#m A G D A F#m A G D Bm G
So don't work your stuff because I've got troubles enough
No, don't pick on me when one act of kindness could be
D A G D A G D A
deathly deathly definitely
D G Bm E G E7 D A
Cause I'm just a problem for you to solve and watch dissolve in the heat of your charm
But what will you do when you run it through and you can't get me back on the farm
F#m A G D A F#m A G D Bm G
So don't work your stuff because I've got troubles enough
no, don't pick on me when one act of kindness could be
D A G D A G D A G D A
deathly deathly deathly definitely
[solo] G D A 3x
D G Bm E G E7 D A
You're on your honor cause I'm a goner and you haven't even begun
So do me a favor if I should waver be my savior and get out the gun
F#m A G D A F#m A G D Bm G
So don't work your stuff because I've got troubles enough
No, don't pick on me when one act of kindness could be
D A G D A G D A G D A
deathly deathly deathly definitely
[outro] G D A [repeat]
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Deathly – Aimee Mann
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37 comments
It's so embarrassing to see someone work so hard to try to berate another person for being wrong when that person is actually right.The chord over "don't" is, in fact, a D major chord. Why do you hear an F# in the bass? Because there are these things called inversions. Specifically first inversion. D major in first inversion is written on a site like this as "D|F#".
I would add "now you've learned something", but that'd be a pretty dickish thing to say.
+7
Seems like a decent tab, but the formatting is a bit odd. I'd break up each verse into at least four lines - probably eight, given the rhyming scheme...
+4
I did not copy your Aimee Mann Deathly submission. There are two major differences, the E7/G# major chord that can clearly be seen in the live version is marked as E major in your transcription. I also have a rhythmic muted stroke followed by D/F# at the beginning of the chorus where you have a F#m to A. I am not trying to "avoid being caught" as my tab is correct to the song as played live at St. Ann's Warehouse.
+2
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