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by Muse
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-------------------------------------------------------------------------------
                             SURVIVAL - Muse
-------------------------------------------------------------------------------
Tabbed by: BassistBentley
E-mail: 

Tuning: GDAC# (F#C#G#C# tuning at the bottom)
4/4,  bpm
come in with the vocals ("Race … Life's race")

  | e  s s e   e |e  s s e    |e  s s e  e |e  s s e  e  |
G |------------------------------------------------------|       \
D |------------------------------------------------------|       |
A |------------------------------------------------------|       |
C#|--9--9-9-9--9--9--9-9-9--9--9--9-9-9--9--9--9-9-9--9--|       |
                                                                 |
G |------------------------------------------------------|       |
D |------------------------------------------------------|       |
A |--6--6-6-6--6--6--6-6-6--6--9--9-9-9--9--9--9-9-9--9--|       | x3
C#|------------------------------------------------------|       |
                                                                 |
  |  e   s  s  e   e  |e   e  e  e |e  s s e  e |e  e  e  e  |   |
G |----------------------------------------------------------|   |
D |----------------------------------------------------------|   |
A |----------------------------------------------------------|   |
C#|--10--10-10-10--10--10--2--3--4--5--5-5-5--5--5--6--7--8--|   /

G |------------------------------------------------------|
D |-----8---8--------8---8--------8---8--------8---8-----|
A |------------------------------------------------------|
C#|--9----9----9--9----9----9--9----9----9--9----9----9--|  x5

G |--------------------------|
D |-----8---8-------8---8----|
A |--------------------------|
C#|--9----9---9--9----9---9--| 

G |------------------------------------------------------|
D |-----1---1--------1---1--------1---1--------1---1-----|
A |------------------------------------------------------|
C#|--2----2----2--2----2----2--2----2----2--2----2----2--| x2

G |----------------------------|
D |-----1---1--------1---1-----|
A |----------------------------|
C#|--2----2----2--2----2----2--| 

G |-----------------------------------------------------|
D |-----6---6--------6---6--------6---6-----------------|
A |-----------------------------------------------------|
C#|--7----7----7--7----7----7--7----7----7--7--4--5--6--| 

G |------------------------------------------------------|      \
D |--6-------------6------------6------------6-----------|      |
A |------------------------------------------------------|      |
C#|-----7-7-7--7-----7-7-7--7-----7-7-7--7-----7-7-7--7--|      |
                                                                |
G |------------------------------------------------------|      |
D |----------------------------2------------2------------|      |
A |--4------------4--------------------------------------|      |
C#|-----0-0-0--0-----0-0-0--0-----3-3-3--3-----3-3-3--3--|      | x2
                                                                |
G |----------------------------------------------------------|  |
D |--7------------7---------------2------------2-------------|  |
A |----------------------------------------------------------|  |
C#|-----8-8-8--8-----8--0--1--2-----3-3-3--3-----3--4--5--6--|  /

G |---------------------------------------------------------|
D |---------------------------------------------------------|
A |-(11\)--------(11\)--------(11\)--------(11\)------------| (the 7 might be an 
C#|--7--7-7-7--7--7--7-7-7--7--7--7-7-7--7--7--444-555-666--| 11\ on the string above, but I
                                                              x2  can't quite tell)

G |------------------------------------------------------|      \
D |-----6---6-------6---6-------6---6---------3---4---5--|      |
A |------------------------------------------------------|      |
C#|--7----7---7--7----7---7--7----7---7--7--4---5---6----|      |
                                                                |  x4 
G |---------------------------------------------------------|   |
D |---------------------------------------------------------|   |
A |-(11\)--------(11\)--------(11\)--------(11\)------------|   | (same thing here)
C#|--7--7-7-7--7--7--7-7-7--7--7--7-7-7--7--7--444-555-666--|   /

G |----------------------------------------------------|
D |----------------------------------------------------|
A |-(11\)--------(11\)--------(11\)--------(11\)-------| (and here too)
C#|--7--7-7-7--7--7--7-7-7--7--7--7-7-7--7--7--7-7-7--7| x2

G |-----|
D |-----|
A |-----|
C#|--7--|


------------------------ OR ----------------------------

If that doesn't make sense, tune to F#C#G#C# and use this tab:

F#|------------------------------------------------------|            \
C#|------------------------------------------------------|            |
G#|------------------------------------------------------|            |
C#|--9--9-9-9--9--9--9-9-9--9--9--9-9-9--9--9--9-9-9--9--|            |
                                                                      |
F#|----------------------------------------------------------------|  |
C#|----------------------------------------------------------------|  |
G#|--7--7-7-7--7--7--7-7-7--7--10--10-10-10--10--10--10-10-10--10--|  | x3
C#|----------------------------------------------------------------|  |
                                                                      |
  |  e   s  s  e   e  |e   e  e  e |e  s s e  e |e  e  e  e  |        |
F#|----------------------------------------------------------|        |
C#|----------------------------------------------------------|        |
G#|----------------------------------------------------------|        |
C#|--10--10-10-10--10--10--2--3--4--5--5-5-5--5--5--6--7--8--|        /

F#|------------------------------------------------------|
C#|-----9---9--------9---9--------9---9--------9---9-----|
G#|------------------------------------------------------|
C#|--9----9----9--9----9----9--9----9----9--9----9----9--|  x5

F#|--------------------------|
C#|-----9---9-------9---9----|
G#|--------------------------|
C#|--9----9---9--9----9---9--| 

F#|------------------------------------------------------|
C#|-----2---2--------2---2--------2---2--------2---2-----|
G#|------------------------------------------------------|
C#|--2----2----2--2----2----2--2----2----2--2----2----2--| x2

F#|----------------------------|
C#|-----2---2--------2---2-----|
G#|----------------------------|
C#|--2----2----2--2----2----2--| 

F#|-----------------------------------------------------|
C#|-----7---7--------7---7--------7---7-----------------|
G#|-----------------------------------------------------|
C#|--7----7----7--7----7----7--7----7----7--7--4--5--6--| 

F#|------------------------------------------------------|      \
C#|--7-------------7------------7------------7-----------|      |
G#|------------------------------------------------------|      |
C#|-----7-7-7--7-----7-7-7--7-----7-7-7--7-----7-7-7--7--|      |
                                                                |
F#|------------------------------------------------------|      |
C#|----------------------------3------------3------------|      |
G#|--5------------5--------------------------------------|      |
C#|-----0-0-0--0-----0-0-0--0-----3-3-3--3-----3-3-3--3--|      | x2
                                                                |
F#|----------------------------------------------------------|  |
C#|--8------------8---------------3------------3-------------|  |
G#|----------------------------------------------------------|  |
C#|-----8-8-8--8-----8--0--1--2-----3-3-3--3-----3--4--5--6--|  /

F#|---------------------------------------------------------|
C#|---------------------------------------------------------|
G#|-(12\)--------(12\)--------(12\)--------(12\)------------| (the 7 might be an 
C#|--7--7-7-7--7--7--7-7-7--7--7--7-7-7--7--7--444-555-666--| 11\ on the string above, but I
                                                              x2  can't quite tell)

F#|------------------------------------------------------|      \
C#|-----7---7-------7---7-------7---7---------4---5---6--|      |
G#|------------------------------------------------------|      |
C#|--7----7---7--7----7---7--7----7---7--7--4---5---6----|      |
                                                                |  x4 
F#|---------------------------------------------------------|   |
C#|---------------------------------------------------------|   |
G#|-(12\)--------(12\)--------(12\)--------(12\)------------|   | (same thing here)
C#|--7--7-7-7--7--7--7-7-7--7--7--7-7-7--7--7--444-555-666--|   /

F#|----------------------------------------------------|
C#|----------------------------------------------------|
G#|-(12\)--------(12\)--------(12\)--------(12\)-------| (and here too)
C#|--7--7-7-7--7--7--7-7-7--7--7--7-7-7--7--7--7-7-7--7| x2

F#|-----|
C#|-----|
G#|-----|
C#|--7--|

| /  slide up
| \  slide down
===============================================================================

            
            
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scrazza 10 Jul 08, 2012 04:24 AM

why is this in a really weird tuning? could you not just use standard or drop d / c?

0 reply
Museluva 173 Jun 03, 2015 12:01 AM

didn't like this contribution

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