New Noise Bass

by Refused
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Tuning: D A D G
Capo: no capo
Author tonedeafidiot 49,008. Last edit on Feb 13, 2014
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#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
 
NEW NOISE (Bassline)
As recorded by Refused
(From the 1998 Album THE SHAPE OF PUNK TO COME)
 
Transcribed by new_noise
	
 
Words and Music by Refused
 
Gtr I (D A D G) - 'Bass'
 
 Intro
  Terrifying Hardcore Punk Q=105
 4/4
  Gtr I
  Wx8            S S S S S S S S S S S S Q    S S S S S S S S S S S S Q
|------------||-----------------------------|------------------------------|
|------------||o----------------------------|------------------------------|
|------------||o----------------------------|------------------------------|
|------------||--0h2-2-2-2-2-0h2-3p2-0-3----|-0h2-2-2-2-2-0h2-3p2-0-3------|
 
 
  S S S S S S S S S S S S Q    S S S S S S S S S S S E S S S
|----------------------------|--------------------------------||
|----------------------------|-------------------------------o||
|----------------------------|-------------------------------o||
|-0h2-2-2-2-2-0h2-3p2-0-3----|-0h2-2-2-2-2-0h2-3p2-0-3-3-3-3--||
 
 
      S S S S S S S S S S S E S S S  4x Wx10
|-||---------------------------------||---------||
|-||o-------------------------------o||---------||
|-||o-------------------------------o||---------||
|-||--0h2-2-2-2-2-0h2-3p2-0-3-3-3-3--||---------||
 
 
   Chorus
    $
    S S +S  S S S S S S S S S +Q     S S +S  S S S S S S S S S +Q
||---------------------------------|--------------------------------|
||o--------------------------------|--------------------------------|
||o--------------------------------|--------------------------------|
||--0h2-(2)-2-2-2-0h2-3p2-0-3-(3)--|-0h2-(2)-2-2-2-0h2-3p2-0-3-(3)--|
 
 
  S S +S  S S S S S S S S S +Q     S S +S  S S S S S S S e Q
|--------------------------------|------------------------------||
|--------------------------------|-----------------------------o||
|--------------------------------|-----------------------------o||
|-0h2-(2)-2-2-2-0h2-3p2-0-3-(3)--|-0h2-(2)-2-2-2-0h2-3p2-0------||
 
 
 Verses I and II
           D.S.
  Wx7          W
|------------|------||
|------------|------||
|------------|------||
|------------|------||
 
 
   Bridge
    Q  E S S +E  E E S S   Q  E S S +E  E E S S
||-----------------------|----------------------|
||o----------------------|----------------------|
||o----------------------|----------------------|
||--2--2-0h2-(2)-2-2-2-2-|-0--0-0-0-(0)-0-0-0-0-|
 
 
                         1.
  Q  E S S +E  E E S S   Q  E S S +E  E S S E
|----------------------|------------------------||
|----------------------|-----------------------o||
|----------------------|-----------------------o||
|-2--2-0h2-(2)-2-2-2-2S|=9--9-9-9-(9)-9-9-9-9\--||
 
 
  2.
  Q  E S S E E S S E   Q  E S S E E S S E
|--------------------|--------------------|
|--------------------|--------------------|
|--------------------|--------------------|
|-9--9-9-9-9-9-9-9-9-|-7--7-7-7-7-7-7-7-7-|
 
 
  Q  E S S E E S S E   E S S +S  S E E E E S S
|--------------------|-------------------------||
|--------------------|-------------------------||
|--------------------|-------------------------||
|-5--5-5-5-5-5-5-5-5-|-3-3-3-(3)-3-3-3-3-3-3-3-||
 
 
   Breakdown
                          1.,2.,3.
    S S Q  S S S S Q.     S S Q  S S S S Q.    4x
||----------------------|----------------------||
||o---------------------|---------------------o||
||o---------------------|---------------------o||
||--0h2----0h2---2------|-0h2----0h2---2-------||
 
 
  4.
                      2/4
  E.  S +E  E +H       +Q.   E
|--------------------|-----------||
|--------------------|-----------||
|-----------9-(9)----|-(9)-------||
|-2--/9-(9)----------|-------0---||
 
 
 Verse III                   Breakdown II
 4/4
  E E H.        Wx7           Wx2          W          +W
|-------------|------------||------------|----------|--------|
|-------------|------------||------------|----------|--------|
|-------------|------------||------------|----------|--------|
|-2-----------|------------||------------|-2--------|-(2)----|
 
 
  W          +W             E E H.        E E H.
|----------|------------||--------------|------------||
|----------|------------||o-------------|-----------o||
|----------|------------||o-------------|-----------o||
|-2--------|-(2)--------||--2-----------|-2----------||
 
 
    S S +S  S S S S S S S S S +S  S S S   S S +S  S S S S S S S S S +S  S S S
||--------------------------------------|--------------------------------------|
||o-------------------------------------|--------------------------------------|
||o-------------------------------------|--------------------------------------|
||--0h2-(2)-2-2-2-0h2-3p2-0-3-(3)-3-3-3-|-0h2-(2)-2-2-2-0h2-3p2-0-3-(3)-3-3-3--|
 
 
  S S +S  S S S S S S S S S +S  S S S
|-------------------------------------|
|-------------------------------------|
|-------------------------------------|
|-0h2-(2)-2-2-2-0h2-3p2-0-3-(3)-3-3-3-|
 
 
  1.                             2.
  S S +S  S S S S S S S e Q      S S +S  S S S S S S S S S S S E
|-----------------------------||----------------------------------||
|----------------------------o||----------------------------------||
|----------------------------o||----------------------------------||
|-0h2-(2)-2-2-2-0h2-3p2-0-----||-0h2-(2)-2-2-2-0h2-3p2-0-0-3-3----||
 
 
   Outro
    S S +S  S S S S S S S S S +S  S +S  S
||----------------------------------------|
||o---------------------------------------|
||o---------------------------------------|
||--0h2-(2)-2-2-2-0h2-3p2-0-3-(3)-2-(2)-0-|
 
 
  S S +S  S S S S S S S S S +S  S +S  S   6x
|-----------------------------------------||
|----------------------------------------o||
|----------------------------------------o||
|-0h2-(2)-2-2-2-0h2-3p2-0-3-(3)-2-(2)-0---||
 
 
    S S e E S S S S S S +S  S +S  S   S S e E S S S S S S +S  S +S  S
||----------------------------------|----------------------------------||
||o---------------------------------|---------------------------------o||
||o---------------------------------|---------------------------------o||
||--0h2-2---0h2---2---3-(3)-2-(2)-0-|-0h2-2---0h2---2---3-(3)-2-(2)-0--||
 
 
    S S S S S S S S S S S S +S  S +S  S
||--------------------------------------|
||o-------------------------------------|
||o-------------------------------------|
||--0h2-2-2-2-2-0h2-3p2-0-3-(3)-2-(2)-0-|
 
 
  S S S S S S S S S S S S +S  S +S  S     W          +W
|--------------------------------------||----------:--------*|
|-------------------------------------o||----------:--------*|
|-------------------------------------o||----------:--------*|
|-0h2-2-2-2-2-0h2-3p2-0-3-(3)-2-(2)-0--||-2--------:-(2)----*|
 
 
 
Duration Legend
---------------
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for.  Duration letters with no fret number below them represent rests.  Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for.  Low
melody durations appear below the staff
 
Tablature Legend
----------------
 h   - hammer-on
 p   - pull-off
 b   - bend
 pb  - pre-bend
 r   - bend release (if no number after the r, then release immediately)
 /\  - slide into or out of (from/to "nowhere")
 s   - legato slide
 S   - shift slide
<n> - natural harmonic
[n]  - artificial harmonic
n(n) - tapped harmonic
 ~   - vibrato
 tr  - trill
 T   - tap
 TP  - trem. picking
 PM  - palm muting
\n/  - tremolo bar dip; n = amount to dip
 \n  - tremolo bar down
 n/  - tremolo bar up
/n\  - tremolo bar inverted dip
 =   - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x   - on rhythm slash represents muted slash
 o   - on rhythm slash represents single note slash
 
Misc Legend
-----------
 |  - bar
||  - double bar
||o - repeat start
o|| - repeat end
*|  - double bar (ending)
 :  - bar (freetime)
 $  - Segno
 &  - Coda
Tempo markers - <E/E./Q/Q./H/H.> = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths
X
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New Noise – Refused
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